THE COLOR WOODCUTS OF GUSTAVE BAUMANN A CATALOGUE RAISONNÉ THIRTY YEARS IN THE MAKING скачать в хорошем качестве

THE COLOR WOODCUTS OF GUSTAVE BAUMANN A CATALOGUE RAISONNÉ THIRTY YEARS IN THE MAKING

THE COLOR WOODCUTS OF GUSTAVE BAUMANN: A CATALOGUE RAISONNÉ THIRTY YEARS IN THE MAKING In A Modern Rendering: The Color Woodcuts of Gustave Baumann, A Catalogue Raisonné by Gala Chamberlain, with essays by Nancy E. Green and Thomas Leech, and a foreword by Martin Krause, will be published by Rizzoli Electa on September 24, 2019. The New Mexico Museum of Art will hosted a panel discussion moderated by Kate Nelson on the making of the book on November 16, 2019 from 1:00 pm to 2:30 pm at the Museum followed by a book signing. Panelists include Gala Chamberlain, Nancy E. Green, Martin Krause, Thomas Leech, and David Skolkin. About the Book: In A Modern Rendering: The Color Woodcuts of Gustave Baumann, A Catalogue Raisonné by Gala Chamberlain documents 190 editioned works, including color woodcuts and early etchings and color linocuts, and an extensive body of printed ephemera created during the years 1905 to 1970. The introductory essay, “Deftness, Soul, and a Gypsy Instinct: the Creative Art of Gustave Baumann,” was written by Nancy E. Green, Curator of European and American Art, Herbert F. Johnson Museum of Art, Cornell University in Ithaca, New York. With her history of research, exhibitions, and writing on American printmakers, Nancy was the perfect scholar for this task. Thomas Leech, director of the Press at the Palace of the Governors, New Mexico History Museum, Santa Fe, is a curator, paper maker, and letterpress printer, and he curated a permanent exhibition of Baumann’s studio, which includes his vials of dried inks, printing press, printing papers, tools, etc. With his amazing knowledge of paper, presses, printing, and wood, Thomas was the perfect scholar craftsman to write the essay “The Problems of a Regular Guy,” on Baumann’s techniques. Martin Krause, Curator Emeritus of Prints and Drawings, Indianapolis Museum of Art at Newfields, has a long history with Baumann’s color woodcuts and has extensive knowledge of the artist in Brown County and New Mexico. Marty co-authored Gustave Baumann: Nearer to Art and further edited two books, The Autobiography of Gustave Baumann and Gustave Baumann: Views of Brown County, and he graciously wrote the foreword for this book. Gala Chamberlain also wrote the essays on Baumann’s studio practices, including on the papers used over his career and another on the history of his chops and their variations. The book is enriched by numerous never-before-published photographs of or by Gustave Baumann.