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A conversation with Sue Burke on her book, Semiosis: Chapters: Origin as a writer - 00:00 Seed idea of the book - 00:45 Nature of plants - 01:24 Plants communicate - 02:50 Rye volunteered! - 03:56 Plants are not passive! - 04:45 Do plants think? Depends - 05:20 How to add drama to plants - 06:34 Why skip generations in the story? - 07:51 Origin of pacing - 11:15 Inspiration for Stevland - 12:30 Plants as social beings - 13:15 Stevland motive - 14:45 Pando as inspiration - 15:15 Stevland is bamboo? - 16:15 Names stuck on things - 16:35 More reasons for Stevland - 17:30 Title origin - 18:20 What is your research process? - 20:18 Scientists are easy to talk to! - 22:26 Growing plants in space? - 23:33 How moss grows in space - 24:46 Andy Weir and The Martian - 25:35 Colonizing examples from history? - 26:40 Can they live in peace? - 27:51 Mistake in the book? - 28:25 Why not use Glassmaker writing in the first encounter? - 30:13 Why did the Glassmakers leave the city? - 31:04 Decisions for plant personalities? - 32:51 Origin of Stevland name - 34:18 Work as a translator informing work - 35:14 Glassmaker origin (ants/Mayans) - 36:15 Translator pitfalls - 37:45 Process of creating Glassmakers - 38:30 Ant knowledge - 39:20 World building process - 41:26 Looking for problems - 43:02 Novel = found enough problems - 44:40 Motivation for distinct generations - 47:11 Journalism work - 48:44 Generation preference? - 49:30 Poor Higgins - 49:45 Conflicts with generations - 51:30 Writing process (plan as much as possible) - 52:35 One sentence for each chapter plan - 53:40 Novel writing is complicated - 54:45 Color of floating cactus, why? - 55:25 Recommendation - 56:46 Meet Me in Another Life - 56:52 Thank you! - 58:00