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Hi, this is Khubaib Yar khan. In this Vlog, we will share our coverage of Pashto mushaira at my village on the occasion of czn wedding. Pashto literature (Pashto: پښتو ليكنې) refers to literature and poetry in Pashto language. The history of Pashto literature spreads over five thousand years having its roots in the oral tradition of tapa. However, the first recorded period begins in the 7th century with Amir Kror Suri (a warrior poet). Later, Pir Roshan (1526–1574), founded his own Sufi school of thought and began to preach his beliefs. He gave Pashto prose and poetry a new and powerful tone with a rich literary legacy. Khair-ul-Bayan, an oft-quoted and bitterly criticized thesis, is most probably the first book on Sufism in Pashto literature. Among his disciples are some of the most distinguished poets, writers, scholars and sufis, like Arzani, Mukhlis, Mirza Khan Ansari, Daulat and Wasil, whose poetic works are well preserved. Akhund Darweza (1533–1615), a popular religious leader and scholar gave a powerful counterblast to Bayazid’s movement in the shape of Makhzanul Islam. He and his disciples have enriched the Pashto language and literature by writing several books of prose. An excerpt from the Kalām of Rahman Baba: زۀ رحمان پۀ خپله ګرم يم چې مين يم چې دا نور ټوپن مې بولي ګرم په څۀ Pashto also has a rich heritage of proverbs (Pashto matalúna, sg. matál) Literary Pashto is the artificial variety of Pashto which is used at times as literary register of Pashto. It is said to be based on the North Western dialect, spoken in the central Ghilji region. Literary Pashto's vocabulary, also derives from other dialects. "Standard Pashto is actually fairly complex with multiple varieties or forms. Native speakers or researchers often refer to Standard Pashto without specifying which variety of Standard Pashto they mean...people sometimes refer to Standard Pashto when they mean the most respected or favorite Pashto variety among a majority of Pashtun speakers." — Placing Wardak among Pashto Varieties, As David MacKenzie notes there is no real need to develop a "Standard" Pashto "The morphological differences between the most extreme north-eastern and south-western dialects are comparatively few and unimportant. The criteria of dialect differentiation in Pashto are primarily phonological. With the use of an alphabet which disguises these phonological differences the language has, therefore, been a literary vehicle, widely understood, for at least four centuries. This literary language has long been referred to in the West as 'common' or 'standard' Pashto without, seemingly, any real attempt to define it." Pashto-speakers have long had a tradition of oral literature, including proverbs, stories, and poems. Written Pashto literature saw a rise in development in the 17th century mostly due to poets like Khushal Khan Khattak (1613–1689), who, along with Rahman Baba (1650–1715), is widely regarded as among the greatest Pashto poets. From the time of Ahmad Shah Durrani (1722–1772), Pashto has been the language of the court. The first Pashto teaching text was written during the period of Ahmad Shah Durrani by Pir Mohammad Kakar with the title of Maʿrifat al-Afghānī ("The Knowledge of Afghani [Pashto]"). After that, the first grammar book of Pashto verbs was written in 1805 under the title of Riyāż al-Maḥabbah ("Training in Affection") through the patronage of Nawab Mahabat Khan, son of Hafiz Rahmat Khan, chief of the Barech. Nawabullah Yar Khan, another son of Hafiz Rahmat Khan, in 1808 wrote a book of Pashto words entitled ʿAjāyib al-Lughāt ("Wonders of Languages"). Pashto is not only the name of a language, but it comprises all traditions, norms and values of the Pashtun people. The history of Pashto language comprises thousands of years. It is widely believed among the Pashtuns that the earliest written Pashto poems were written in the 8th century CE by Amir Kror Suri of Ghor, Afghanistan. Amir Kror was the son of Amir Polad and they belonged to the Suri Pashtun tribe. Since paper was not much in use in the Pashtun territory, Poets usually performed poetry verbally and its fans memorized the work. Another reason may be that most Pashtuns were nomads and warriors, thus lack writing skills. Due to these and other reasons, Pashto remained as a verbal language only. The poems by Amir Kror Suri were discovered and saved in Pata Khazana, a work compiled by Shah Hussain Hotaki and last edited by professor Abdul Hai Habibi from Kandahar. Abu Muhammad Hashim Sarwani was another poet of that period. He was born around the Helmand Province in the 9th century. Pashto expressions far more exceeds prose collections in Pashto literature as prose needs special attention on the part of intellectuals and critics and as this very form of expression is less developed in prose vis-à-vis poetry. #vlogs #pakistan #pashto #mushaira #motovlog #pashtopoetry #kpk #viral Like our efforts and subscribe for further Vlogs Thanks