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Grateful Dead May 23, 1982 Greek Theatre, University of California - Berkeley, CA Set 1: d1t01 - Tuning d1t02 - Shakedown Street ~ d1t03 - Promised Land d1t04 - They Love Each Other d1t05 - Mama Tried ~ d1t06 - Mexicali Blues d1t07 - Loser ~ d1t08 - Little Red Rooster d1t09 - Ramble On Rose d1t10 - Let It Grow Set 2: d2t01 - Scarlet Begonias ~ d2t02 - Fire On The Mountain d2t03 - Samson And Delilah d2t04 - Ship Of Fools d2t05 - Estimated Prophet ~ d2t06 - Eyes Of The World ~ d2t07 - Drums* ~ d3t01 - Space* ~ d3t02 - The Other One ~ d3t03 - Stella Blue ~ d3t04 - I Need A Miracle ~ d3t05 - Casey Jones E: d3t06 - (I Can't Get No) Satisfaction ~ d3t07 - Brokedown Palace *with Harley Davidson Motorcycle Jerry Garcia - Lead Guitar, Vocals Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Electric Bass, Vocals Brent Mydland - Keyboards, Vocals Bob Weir - Rhythm Guitar, Vocals Matrix ----------------------------------------------------------------- SBD (shnid=96332): Recording Info: SBD ~ Cassette Master (Sony TC-D5M) ~ Dat ~ CD Transfer Info: CD ~ Samplitude Professional v10.1 ~ FLAC All Transfers and Mastering By Charlie Miller December 10, 2008 [1 minute cut in Estimated, and some of Drums~Space] ----------------------------------------------------------------- AUD (shnid=101955): 2 Nakamichi CM 300 mics ~ SONY TC D-5m(Dolby B)(TDK AD-X 90 set 1)(Maxell UDXLII-S, MX 90 set 2) Plybck: Nakamichi Dragon (Dolby B decoded) ~ Apple G4(RME DIGI PAD 96 A/D conversion 44.1k)(PEAK editing) ~ Xact Short flip or tape change cuts at the beginnings of: Little Red Rooster @ 04.866 sec. Eyes of the World @ 09.722 sec. Stella Blue @ 11.902 sec. Casey Jones @ 05.253 sec. ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to musigny23 for recording the show. Matrix by Hunter Seamons using Final Cut Pro (FLAC~AIFF~Final Cut~WAV~FLAC) October 20, 2009 Notes: 1) From Drums~Space through the end of the show, over fifty (50) minuscule dropouts occur in the soundboard, more frequently in Other One and Miracle. Because of the very minuscule time frame of some of these, I was able to smooth over them without fading out the SBD (by adjusting speeds or making very small cuts/additions). Most of them, however, required me to fade out the SBD for less than a second, usually. Most of these moments are pretty smooth sounding and not real noticeable, but some can be slightly distracting because of the quick, AUD-only transition. 2) The original AUD tape cuts were preserved when only the AUD plays (between songs), instead of being smoothed out, or cross-faded. Sometimes I prefer this. 3) A quick shift in the SBD mix occurs at 0;44 and 0;53 of Other One, where it cuts to a more "distant" sound for a moment, then comes back. #gratefuldead