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Today we take a look at the primary differences in sound between the two pedals. 00:00 - Difference 1 - Modulation Speed 00:50 - Difference 2 - Feedback Behavior 02:21 - Adineko 03:25 - Black Fountain Stereo 04:30 - Switching Back And Forth 05:35 - Adineko Delay/Modulation Speed Tied Together Demonstartion 06:00 - Adineko Oscillation Behavior 07:14 - Black Fountain Stereo Oscillation Behavior 08:04 - Different Modulation Settings 08:57 - Black Fountain Stereo Grit 10:05 - Black Fountain Stereo Tone 11:08 - Black Fountain Stereo Routing Options & Diffusion 12:43 - Outro Differences between the Adineko and the Black Fountain Stereo Repeat Behavior: Black Fountain Stereo is much like a digital delay in that repeats just get quieter and fade out. The attack is always present and the same on every repeat. The Adineko on the other hand feeds repeats into itself, which each repeat through filtering over and over, degrading them, and giving you a very quick soupy...reverbee trail that loses definition pretty quickly. You can crank space up past noon on the BFS so it diffuses the repeats, but it still defuses them all equally and is not the same behavior as the Adineko. Space past around 3 o'clock seems to remove low end on the repeats. Modulation: Modulation speed is tied to delay time on the Adineko. This is a large UI difference because this is not something you can control separately on the Adineko. It is what it is and part of it's charm, or lack of if you dislike it. Both modulation speed/depth can be controlled independently on the Black Fountain Stereo. Feedback Behavior: Adineko will do runaway oscillation fairly early in the feedback cranking, around 1 or 2 on the feedback knob. Black Fountain Stereo infinitely repeats but for the most part stays manageable. Things the Black Fountain can do that the Adineko cannot Grit - Ability to control the amount of grit on the repeats Stereo - Adineko is only mono, BF Stereo can be mono, mono to stereo or stereo. Routing Configuration - Black Fountain has the ability to do Serial, Paralell with or without diffusion. Separation of modulation speed from delay time Separate control of Dry/Wet level Aux switching for tap tempo or max feedback Midi/Expression control