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Inner Soul Songs We Stole from Dylan

These are songs born in the half-light. Written on backstairs landings, in drafty apartments, on napkins left behind in coffeehouses where the rent was paid with a tune and a passing hat. They are songs of protest, of longing, of wandering men and fleeting women, of the city’s rattle and the country’s memory. Inner Soul brings these voices forward not to answer the world’s questions, but to show the streetlamp burning when the night is long. Inner Soul – Songs We Stole from Dylan (An album in the spirit of early Dylan) The Ballad of the Borrowed Man – A rambling folk ballad about a drifter who takes everything but owns nothing, wandering through towns like a ghost of debts and dreams. Stone Walls and Paper Chains – A protest tune against false freedoms, with sharp rhymes about politicians promising liberty while binding people in quieter ways. Rivers Don’t Wait – A wistful love song about time slipping away, comparing it to rivers running to the sea no matter how hard you try to dam them. The Blind Preacher’s Song – A story song of a street prophet railing about the end of days, with a touch of surreal humor and irony. Coffeehouse Blues No. 12 – A jaunty talking blues track poking fun at beatniks, folkies, and the Greenwich Village scene itself. Wind in the Iron Gate – A haunting, harmonica-heavy tune about feeling trapped in the city while nature whispers beyond the fences. She Wore a Sparrow on Her Sleeve – A poetic ode to a mysterious woman, full of symbolic images of freedom, loss, and fleeting beauty. One-Eyed Jack of the Bowery – A ragged folk tale of a card shark and trickster whose crooked deals mirror society’s bigger cheats. Letters Never Posted – A melancholy fingerpicked tune about unspoken words, regret, and the silence between lovers. Hobo’s Lullaby for the Dawn – The closing track, a weary but hopeful folk hymn about traveling onward, harmonica sighing like a train whistle at sunrise.