Ernő Dohnányi - Rhapsody No.1, Op.11 (Nyiregyházi) скачать в хорошем качестве

Ernő Dohnányi - Rhapsody No.1, Op.11 (Nyiregyházi)

Ernő Dohnányi (1877 - 1960) ――――――――――――――― Rhapsody No.1, Op.11 (1903) ――――――――――――――― Ervin Nyiregyházi (1903 - 1987) Recorded in 1978 ――――――――――――――――――――――――― Ernő Dohnányi's Rhapsody No.1, Op.11, is a Rhapsody for solo piano, it is the first among a set of four Rhapsodies written in the year 1903. ――――――――――――――――――――――――― The Rhapsody No.1 follows the traditional rhapsodic form, characterized by its free-flowing and improvisatory style. The piece is through-composed, meaning it doesn't adhere to standard classical forms like sonata-allegro or ternary structure. Instead, Dohnányi takes the listener on a musical journey through a series of contrasting themes and moods. ――――――――――――――――――――――――― Rhapsody No.1 opens with the the left hand introducing a arpeggio, while the right hand provides a strong and commanding chord melody. A short motif makes a brief appearance, foreshadowing its use in the 3rd section. ――――――――――――――― In the second section, the roles of the hands switch. The left hand takes the lead, playing a beautiful and expressive melody, accompanied by the right hand. As the second theme progresses and gains complexity, motifs of the first theme reappear, albeit briefly. ――――――――――――――― In the third section, a new motif derived from the first theme resurfaces, intertwining with a repetitive and jumpy right hand. As the roles switch, the left hand now commands a strong and violent octave melody in the bass, while the right hand provides an energetic accompaniment. The arpeggio theme from the beginning reappears, but only for a fleeting moment, making its final appearance in the piece. ――――――――――――――― Following this, the second theme returns, now residing in the right hand with a left hand arpeggio accompaniment. As the piece progresses, the hands switch roles once more, with the melody now residing in the left hand. The right hand takes on a gloryous arpeggio accompaniment, creating a grand and majestic atmosphere. ――――――――――――――― As the reprise of the second theme reaches its quiet conclusion, the third section resurfaces, more forceful and intense than ever before. The piece concludes with a sense of anguish and annihilation, leaving the listener immersed in a world of pain and emotional turmoil. ――――――――――――――――――――――――― Dohnányi himself recorded Rhapsody No.1, along with its three companion pieces, around the year 1950. This recording stands as a remarkable feat, making him one of the few Romantic composers who documented their own works, preserving his interpretations for posterity.