የቤዝ አጨዋወት ዘዴ ክፍል 20 - ሜጀር ስኬል አሰራር እና የ "ሰርክል ኦፍ 5ths" - circle of fifths & major scale relationship скачать в хорошем качестве

የቤዝ አጨዋወት ዘዴ ክፍል 20 - ሜጀር ስኬል አሰራር እና የ "ሰርክል ኦፍ 5ths" - circle of fifths & major scale relationship

 Major scale construction የሜጀር ስኬል አሰራር Tone, Tone, semi-tone, Tone, Tone, Tone, semi-tone.   When we move from one fret to the next fret on the same string we make a half step or a semi-tone.  If we move two frets instead, we make a full step or a tone.  We start at root, say, C, then we move two tones, followed by a half tone, then three more tones and end with a half tone and finish on the the octave of the root note to make a major scale.  The formula applies to any of the twelve major scales.  ከአንድ ፍሬት ወደ ሁለተኛ ፍሬት ስንጫወት ግማሽ ድምፅ ወይም ስቴፕ ተጓዝን ማለት ነው። ከአንድ ተነስተን ሁለት ስቴፕ (ሙሉ ስቴፕ - full step) ከሄድን ሙሉ ድምፅ / ቶን ሰራን ማለት ነው። የማንኛው ሜጀር ስኬል አሰራር "tone, tone, semi-tone, tone, tone, tone, semitone" ነው።   C major C, D, E, F, G, A, B, C  1 2  3  4 5  6  7   1 The circle of fifths explanation የሰሰርክል ኦፍ 5th መግለጫ The 5th degree of C major above is G - its (G) major scale starts on the second half of the C major but with sharp 7th (F#) to satisfy the major scale formula.  የ C ሜጀር ስኬል 5ኛው ድግሪ G ሲሆን ከዛው በመነሳት G ሜጀር ስንሰራ  G maj = G A B C D E F# G ይሆናል። እንደምታዩት የ C major ስኬል ሁለተኛ ግማሽ አራቱ ኖቶች (G A B C) የ G major የመጀመሪያ አራቱ ኖቶች ይሆናሉ ምክነያቱም አቀማመጣቸው "tone,tone,semi-tone ፎርሙላ ስለሚከተሉ። የመጨረሻ አራቱ ኖቶች "tone, tone, tone, semi-tone" መሆን ስላለባቸው የስኬሉ 7ኛው ድግሪ ሻርፕ # ማድረግ ስላለብን F# ይሆናል (G maj ስኬሉ ከዚህ በታች ተፅፏል) G major scale G, A, B, C, D, E, F#, G (do you see the G, A, B, C here are the second half of C major?) Again going off of the 5th degree of the above G major scale gives us D major scale which starts on the second half of the G major scale and also that the D major scale will include the previous F# but now we also have to make the 7th degree of the D major a C# to stay with the major scale formula  D, E, F#, G, A, B, C#, D (again, notice that the first four notes D, E, F#, G are the second half of G major scale.  እንደገና ከ G maj 5ኛ ድግሪ ስናይ D እናገኛለን። ከዚህ ተነስተን D maj ስንሰራ እንደ ቅድሙ ተመሳሳይ መንገድ / ፖተርን ነው የምናየው። የ G maj ሁለተኛ ግማሽ አራቱ ኖቶች የ D maj የመጀመሪያ አራት ኖቶች ይሆናሉ። 7ኛው የ D maj ኖት C# እንድናደርግ እንገደዳለን። If we contine tis pattern and start on the 5th degree of D major scale we get A:  A major scale will still have the two previous sharps (F#, C#) but with a sharp 7th also to stay in line with the major formula thus: A major scale: A,B,C#,D,E,F#,G#,A As you can see from the pattern we keep getting a new major scale everytime we start on the the fifth degree of the previous major scale but we have to keep sharpening the 7th degree of our new major scale as we construct a new major scale and that the number of sharps keep adding by one.  ከ 5ኛው ስኬል ድግሪ ሌላ ሜጀር ስኬል በሰራን ቁጥር የአዲሱ ሜጀር ስኬል 7ኛ ኖት ሻርፕ ይሆናል።  C major - no sharps; G major, one sharp: D major - two sharps; A major - three sharps, etc.   This is why we call it the circle of fifths because of the this pattern.  This helps us determine all the sharps of any of the 12 major scales.  This is how people who write music know where to put the sharps on the music staff.  There is more to learn from the circle of fifths but this information hopefully helps you get a good head start to discover more on this subject.  There are some videos I saved in my playlist "Bass guitar beginner to advanced" and you can find more information on this subject or you can google "major scale and circle of fifths relationship". ለዚ ነው circle of 5ths የሚባለው። 12ቱ ሜጀር ስኬሎች በዚህ መንገድ ነው የሚገኙት። በይበልጥ መረጃ ለማግኘት "circle of fifths and major scale relationship" ብላችሁ ጉግል አድርጉ። በተጨማሪም በቻነሌ playlist ውስጥ "bass guitar beginner to advanced" በሚል ውስጥ ሌሎች የሰሯቸው ቪዲዮዎች ማየት ይቻላል።