Expanded Animation 2023 – Synaesthetic Syntax – Liveness and Procedural Animation скачать в хорошем качестве

Expanded Animation 2023 – Synaesthetic Syntax – Liveness and Procedural Animation

Synaesthetic Syntax IV: The Ghost vs the Machine In this, our fourth symposium at the critical juncture of embodied, sensual perception and the processes and technologies of expanded animation, we turn our attention to kinaesthetic and physical presence. Our human senses of proprioception (detecting our own position in space) and the vestibular system (detecting gravity, movement and balance) allow us to map our surroundings, navigate through space and detect the proximity of others. In an age in which our city streets have become a film studio with our every movement tracked by surveillance cameras and our every thought, memory or social interaction mediated through the camera, GPS, microphone and motion sensors of our smart devices, what does it mean to have a body? In what ways can expanded animation explore the physical presence of the live human body in motion and what is the role of technology in relation to this? The eleventh edition of the Expanded Animation Symposium titled The Art of Performance, organized by the Hagenberg Campus of the University of Applied Sciences Upper Austria and Ars Electronica, aims to explore and discuss the various interfaces between animation, performance, and artistic expression from multiple viewpoints. It will take place from September 8th to 10th as part of the Ars Electronica Festival 2023. Artists in this track: Max Hattler (DE/HK) Johannes DeYoung (US) Varvara Guljajeva (EE/CN), Mar Canet Sola (EE/ES) Presenter: TBA https://expandedanimation.com/ 0:00 Pre-Roll 7:33 Introduction 8:53 Max Hattler: Hattlerizer 4.D 27:16 Q&A with Max Hattler 32:10 Johannes DeYoung: The Endless Mile 54:33 Q&A with Johannes DeYoung 59:20 Varvara Guljajeva & Mar Canet Sola: Exploring the Catastrophic Impact of Human Interaction on Nature 1:16:00 Q&A with Varvara Guljajeva & Mar Canet Sola 1:26:10 Post-Roll