From the word into the world wide web? (2/3) | At the Crossroads digital! | Komische Oper Berlin скачать в хорошем качестве

From the word into the world wide web? (2/3) | At the Crossroads digital! | Komische Oper Berlin

From the word into the world wide web? – Arnold Schoenberg’s Moses und Aron Aus dem Symposium »At the Crossroads digital!« über das Verhältnis von Streaming und Live-Aufführung Expression is fundamentally – and famously – at stake in Arnold Schoenberg’s Moses und Aron. From the very start, Moses prefers obscure utterances to direct speech: while he doubts his own eloquence, he nonetheless refuses to compromise the austere integrity of his vocabulary. His brother Aron, on the other hand, is something of an ad man, if not a Mad Man: he is entirely willing to exploit and manipulate his lyrical medium to get the message across. The tension between the brothers is also the tension at the center of this work: how to lend expression to the inexpressible? Any production of Moses und Aron must take up this question, must make some sort of choice between endorsing Moses’s deep skepticism of representation and Aron’s canny endorsement of its power. But what happens when the production is in turn reproduced in cyberspace? How does that impact the piece’s preoccupation with expression? In this discussion, we set out to explore some of the interpretive paradoxes, as well as the musical and scenic terms, of Barrie Kosky and Vladimir Jurowski’s 2015 Komische Oper production of Moses und Aron. Discussants: Vladimir Jurowski (Conductor), Gundula Kreuzer (Music, Yale University), Ulrich Lenz (Chief Dramaturg, Komische Oper Berlin), David Levin (Theater, University of Chicago), Mary Ann Smart (Music, University of California Berkeley) Aufgezeichnet am SA 27. Juni 2020, 19:30 Uhr. Mehr dazu: https://www.komische-oper-berlin.de/p...