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the spooky season is upon us, so that means listening to some spooky villain songs! as i talk about my personal favorites, let me know what yours are, and if you enjoyed this video, please comment, like, subscribe, hype, + join my patreon to support me! ✧・゚: *✧・゚:*social media*:・゚✧*:・゚✧ • patreon: / livmendel • letterboxd: https://letterboxd.com/livmendel • instagram: / livmendel • twitter/x/whatever elongate muscular is calling it: / livmendel • bluesky: https://bsky.app/profile/livmendel.bs... ✧・゚: *✧・゚:*$3 + patrons*:・゚✧*:・゚✧ • gantrell • ninelie_00 • peter tobin ✧・゚: *✧・゚:*spotify playlist*:・゚✧*:・゚✧ • https://open.spotify.com/playlist/2of... ✧・゚: *✧・゚:*music*:・゚✧*:・゚✧ • background music: "kalimba" by lofi satoshi • "endless" by lucas king • "fragile" by lucas king • "too late" by lucas king • "control" by lucas king • "corrupt" by lucas king • "why she is hiding in the other man's eyes" by barcode • "prelude in e minor, op. 28 no. 4" by chopin, cover by aldona dvarionaite • outro: "lovely" by ryoga "in many ways, the work of a critic is easy. we risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. we thrive on negative criticism, which is fun to write and to read. but the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. but there are times when a critic truly risks something, and that is in the discovery and defense of the new. the world is often unkind to new talent, new creations. the new needs friends.” - ratatouille