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2023 ~ if your ears like, please subscribe :) Near the border of Sudan, Eritrea, and Ethiopia, a disputed area called Fashaga is home to one of the most raucous, hypnotic, addictive, and celestial dance musics being made anywhere in Africa, perhaps the least known to the wider world of them all. Far from the townships of South Africa or the cities of Nigeria, this sound belongs to people intimately tied to their land, deep in the rural areas of Sudan. Known in some circles as “Jaglara,” this mysterious cosmic dance music is being innovated by one man, named Jantra, which translates as “craziness,” a moniker bestowed to celebrate both his personality and sound. Jantra cuts a mysterious figure, a rather unknown quantity even in Sudan, outside of the select few circles which have granted him cult status to perform at their humble gatherings or at street parties far from the gaze of the wider world. Never without his trusty blue Yamaha keyboard, Jantra joins a wave of synthesizer maestros across Africa revolutionizing the electronic sound of the continent. His dexterous fingers and street side raves in his home town of Gedarif near the Sudan-Ethiopia border caught the attention of a less privileged segment of Sudanese society who became infatuated. He simply freestyles a combination of his melodies incessantly for hours on end, acting as a live producer and DJ for emphatic crowds in compact spaces. His Yamaha keyboard, like most keyboards, is not made in Africa and not tuned to cater to Sudanese rhythms or melodies. It required special tweaks from legendary keyboard mechanics in Omdurman market outside of the capital Khartoum who service, maintain, and jolt these synths to work for their aesthetics and flavor profile. Jantra then further tweaks the sound to achieve what you’re hearing. To produce this album, the Ostinato team pioneered a new approach: a hybrid reissue-contemporary album. Jantra had made a few cassette and digital recordings in his early days. We used excerpts from those and followed him to his legendary parties on the outskirts of the outskirts of the capital. Using a special technique devised by Ostinato producer Janto Koité, we extracted the individual melodic patterns, rhythms, as well as the MIDI data, and combined them with older recordings to recreate his lengthy sessions into individual dance tracks for a worldwide audience to reach the enviable frenzy of Sudanese crowds. This promising new dance music emerging from the deepest reaches of Sudan has never made its way outside of Jantra’s parties, let alone outside of the country, and never been professionally recorded. This record is confirmation that the many electronic styles being exported from Africa have a new worthy sibling and rival — Jantra’s signature electronic Jaglara from the Fashaga underground. https://ostinatorecords.bandcamp.com/... / dustdownrecords / dustdownrecords We are not the copyright owners of this track. If you are the creator of this music or the copyright owner, and would like this removed, please get in touch and it will be done instantly.