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In this video essay, I dissect Black Panther (2018) through a cultural and socio-political lens, questioning its portrayal of Blackness, African identity, and the impact of its Americentric approach. From the creation of Wakanda to the ideological conflict between Killmonger and T’Challa, this analysis explores how the film both elevates and oversimplifies Black identity. We’ll look at themes like Afrofuturism vs. Afropessimism, the complexities of Black representation, and the deeper legacy of imperialism within Black Panther’s cultural context. 00:00 - Intro 01:26 - The Herculean Task of Making Black Panther (2018) 03:37 - Calling BS on the Cultural Politic and Impact of Black Panther (2018) 05:50 - An (Missing) African Perspective 08:31 - Killmonger Ain't a Black Radical. Not One Bit Actually. 10:12 - The Mess of Making THE Black Movie 13:26 - The Flawed Analogy of Killmonger v T'Challa 14:29 - Why the Diaspora Hate Each Other 18:40 - How Black Panther (2018) Abandons Africa 20:06 - Perceiving Africa and Blackness 23:31 - The Zamundification of Africa 24:36 - Wakandans Ain't Skinfolk 25:01 - Smallest Tangent Ever about Kendrick v. Drake 25:35 - Ontology of Blackness 101 28:56 - The Black Struggle Olympics 29:35 - Why Black Panther (2018) Isn't Afrofuturistic 35:09 - Wakanda Isn't Africa nor are Wakandans Black. 39:51 - Why the Ending of Black Panther (2018) Sucks 43:18 - Reconstituting Blackness 44:44 - Wakandans as the Anti-thesis of Blackness 45:11 - Why Killmonger is such a great VILLAIN 47:30 - The Afropessimism of the MCU 51:49 - In Defence of Black Is King: A Film by Beyoncé 52:37 - Conclusion