Jacquemus Winter 2026 — Satire, Sensuality & Sculptural Discipline скачать в хорошем качестве

Jacquemus Winter 2026 — Satire, Sensuality & Sculptural Discipline

Before we begin — a small human note. Yes, I may be the Princess of Fashion, but I am still human. If you notice any minor inconsistencies in lighting, tone, or delivery in this episode, forgive me. Sensitive skin decided to stage its own rebellion, and I’ve been dealing with hives while filming. We persevere. Always. Now. We’re capturing Jacquemus’ Winter 2026 show — “Le Palmier” — a month after it happened. And that’s intentional. Some collections need distance. They need to settle before we can properly assess them beyond spectacle. Simon Porte Jacquemus returned to the Musée National Picasso in Paris on January 25th, 2026 — the same venue he first disrupted in 2017 as an emerging provocateur. Eight years later, he arrives not as an outsider, but as an independent powerhouse generating over €200 million annually. This video explores: • Why Jacquemus is one of the most revolutionary independent designers of our time • His early years — self-taught, working at Comme des Garçons, building a label at 19 • How “Le Palmier” transforms a child’s palm-tree ponytail into architectural couture • The fusion of 1950s sculptural geometry, 1990s sensuality, and 1980s cinematic satire • Where the collection succeeds — and where it borders on pastiche • Why his independence matters more than ever in a conglomerate-dominated industry Jacquemus built his empire without inheriting a legacy house. He created one. And “Le Palmier” feels like a designer refining authorship rather than chasing virality. This is not a recap. It’s a reckoning. Follow Me Everywhere- haileyhhenderson