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Filmed during the COVID-19 pandemic, this video features the Singapore Symphony Orchestra reduced to a size of 20 players + conductor, as required by the authorities then. The result is perhaps closer to the (lower end of the) scale of Mozart's orchestras during his time. Written in 1774 when Mozart was 18, as part of a set of seven for the Prince-Archbishop of Salzburg, the Symphony No. 29 in A major K.201 was considered unremarkable by its recipient – no record or remark on its premiere survives. Yet it held a special significance for Mozart, who carried it around with him for the rest of his life, scheduling it for performance whenever he could. Under the tutelage of Joseph Haydn, the “Father of the Symphony”, the young Mozart created not only a synthesis of the various symphonic styles then current, but developed it in a way distinctively his own, and this symphony is a perfect example of his early maturity shining in the graceful Viennese style of balance between vigorous energy and lyrical elegance. WOLFGANG AMADEUS MOZART (1756-1791) Symphony No. 29 in A major, K.201 I. Allegro moderato 0:00 II. Andante 7:50 III. Menuetto. Allegretto – Trio 15:58 IV. Allegro con spirito 19:19 Recorded at the Victoria Concert Hall, Singapore, on 1 April 2021. The reduced orchestra and use of masks is required at the time of filming during the COVID-19 pandemic. Joshua Tan, conductor Singapore Symphony Orchestra: Kong Zhao Hui / Zhang Si Jing / Foo Say Ming / Karen Tan / Kong Xianlong (Violins I) Xu Jue Yi / Chikako Sasaki / Shao Tao Tao / Margit Saur (Violins II) Zhang Manchin / Janice Tsai / Shui Bing (Violas) Ng Pei-Sian / Wu Dai Dai (Cellos) Karen Yeo / Wang Xu (Double Basses) Rachel Walker / Carolyn Hollier (Oboes) Jamie Hersch / Marc-Antoine Robillard (Horns) Cover photo: Aloysius Lim. Taken in 2022 and does not represent players in this performance.