I Should Care: Journey Through The Real Book скачать в хорошем качестве

I Should Care: Journey Through The Real Book

A jazz piano lesson to give you some ideas when learning the great jazz standard “I Should Care.” Take your LH playing to the next level with my free ebook: Jazz Piano Left Hand Techniques: https://keyboardimprov.com/jazz-left-... You'll find my book, The Inner World of Piano Improvisation, on Amazon. Ron Drotos: Jazz piano solo and musical/historical discussion of the jazz standard “I Should Care,” which was a favorite of the beboppers including Thelonious Monk. The Real Book 6th Edition 0:00 The difference in chords for “I Should Care” from 5th to 6th Edition Real Book 0:39 The musical form of the jazz standard “I Should Care” 1:21 “I Should Care” as a favorite tune of the beboppers 1:45 Kenny Hagood as vocalist with Thelonious Monk 1:52 A Gerry Mulligan story about the vocalist Kenny Hagood on Miles Davis’ “Birth of the Cool” recordings 2:15 Starting “I Should Care” with a G pedal tone 6:11 Bitonality 6:17 Transitioning into the tune’s chord changes 6:25 A bass “fill” 6:30 The substitute chords for “I Should Care” from the Real Book 5th Edition 6:39 Bringing back the G pedal tone, during the turnaround into the improvised solo 7:04 Solo jazz piano with a left hand walking bass line 7:07 A melodic sequence, with a slight variation 7:35 A double-time phrase, a la Charlie Parker 7:39 Improvised note-against-note counterpoint, in a jazz context 8:04 Counterpoint in 2 independent voices 8:11 Playing a phrase from the tune’s melody with the left hand 8:14 Harmonizing the improvised phrase with perfect 5ths, a la Chick Corea 8:17 A very melodic bass texture, under RH chords 8:22 Using quarter-note triplets for a suspended time effect 8:31 Bringing back the original swing groove 8:42 Block chords, in the style of George Shearing and Milt Buckner 8:45 Bell-like chord voicings 8:56 Returning to the main melody, with a more subdued texture 8:58 Swinging it! 9:13 A Bud Powell-like use of chromatic 16th notes 8:43 An extended “tag” 9:51 A chromatically-descending ending, beginning on the #ivm7(b5) chord 9:54 A whimsical phrase 10:01 The wonderfully strange ending to Louis Armstrong’s “Chicago Breakdown” 10:21 Finding to “door” into the best way for you to learn jazz piano 11:18 Here are some more Free Jazz Piano Lessons for you at the KeyboardImprov website: https://keyboardimprov.com/free-begin... Thanks for joining me on this musical adventure, and please LIKE, COMMENT and SHARE this video with your musical friends. If you'd like to start my full video course, you'll find it here: https://keyboardimprov.com/get-starte... For Zoom and Skype lessons, please email me at rondrotos@keyboardimprov.com. Enjoy the journey, and "let the music flow!" Ron