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Fabrizio De André wrote songs about love, war, social affairs, politics, current and historical events, Jesus, people who lived on the margins of society, rebels, and death. He had strong connections to the earth and nature, to common people, and to philosophical ideas ranging from pacifism to anarchism to the power of love. He took inspiration from literature (medieval to contemporary), from news clippings, and from the struggles in his own life. His strongest early influence was French songwriter Georges Brassens, and he collaborated with many Italian songwriter/composers throughout his career. De André's lyrics consistently attain the stature of poetry with the unique stamp of his own inner voice, his vision so attuned to the fleeting beauties and the horrors of the human condition and to the feelings and failings of the people he portrays, himself included. "La ballata degli impiccati" is closely related to a 1462 poem, "Ballade des pendus" by François Villon, written in prison while waiting for his execution. Whereas Villon asks for pity for the condemned, those in the lyrics of De André and Bentivoglio express rancor for the ones who judged, buried, and even remembered, all of whom will inevitably also meet their ends. These condemned men are unrepentant, and in death sit in judgment against the cruelty of capital punishment, waiting to restart their "suspended discourse" until joined in death by those who sent them there.