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Act II: Queen of the Night's second aria excerpt : "[alle] Bande der Natur" ... to end of aria Marcella Sembrich (s), Queen of the Night Metropolitan Opera Orchestra Walter Damrosch, conductor January 27, 1902 Mozart's Singspiel had its first Metropolitan production, a lavish affair using designs from a successful Munich staging, on March 30, 1900, with an all-star cast including Marcella Sembrich (Queen of the Night), Emma Eames (Pamina), Zélie De Lussan (Papagena), Andreas Dippel (Tamino), Giuseppe Campanari (Papageno), Pol Plançon (Sarastro), Milka Ternina, Eugenia Mantelli, and Carrie Bridewell (Three Ladies), Suzanne Adams, Eleanore Broadfoot, and Rosa Olitzka (Three Genii); Luigi Mancinelli was the conductor. Five performances during what remained of the season attest to its success, though it did not return the following season. There were three performances in 1901-02 (at the first of which Mapleson made his single surviving cylinder from a Mozart work), and two the following season. Although the casts included a number of singers of German background, in these years Die Zauberflöte was always sung as Il Flauto Magico. ..................................... This channel is primarily about vocal emission—aural examples of basically correct singing, correct impostazione—chiaroscuro, vowel clarity, firm and centered pitch, correct vibrato action, absence of throatiness or thickness, sounds free from constriction and from the acoustic noise that accompanies it—with occasional video examples that demonstrate what the body, face, mouth, jaw, and tongue look like when used with correct impostazione—the vocal emission of the one and only Italian school. Caveat: I'm biased in favor of baritones and baritone literature, but if you want to learn about and listen to all the greatest singers in the old-school tradition, explore this spreadsheet (voice parts are separated by tabs): https://bit.ly/2W4qmE3