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Superman (2025) Supergirl Scene EXPLAINED | Milly Alcock Cameo & Krypto Reunion Breakdown #superman #superman2025 #dcuniverse #dcu #movies Supergirl just made her DCU debut—and I think it could be the most talked about scene of the year. Milly Alcock crashes into Superman (2025) with alcohol, trauma, and a savage one-liner. Let’s talk about it down. 🎬 WATCH NEXT: • SUPERGIRL (2026) – Milly Alcock, Woman of ... JOIN THE SLUURP COMMUNITY 🚀 Become a member & unlock exclusive perks: 👉 https://bit.ly/JoinSLUURP CONNECT WITH US 📱 🎵 TikTok: / sluurptv 📸 Instagram: / sluurptv 🐦 Twitter/X: / sluurptv 📘 Facebook: / sluurptv 💬 Discord: / discord 🌐 Website: https://sluurp.co.uk/ CREDITS 🎬 Outro Song: Ava Low – Tin Man Footage: [Sources Listed On-Screen or in End Cards] Music: [See Video for Tracks] Written By: Adam Voiceover By: Connor Edited By: Gunnzey Thumbnail By: Gunnzey INFORMATION ABOUT THIS VIDEO 📰 In this full SLUURP breakdown, we take a closer look at the wild, hilarious, and emotional debut of Supergirl in Superman (2025). Milly Alcock’s introduction to the DCU has fans buzzing — with a drunk crash landing, a dark backstory, and a tearjerking reunion with Krypto. But beneath the one-liners and chaos, there’s a real story here. We explore how this scene sets up Woman of Tomorrow, tease the tone of her arc moving forward, and dig into what makes this version of Kara Zor-El stand apart. Plus, we break down the emotional beats, visual cues, and subtle character details you might’ve missed on first viewing. Whether you're here for Krypto, Kara, or just to see where the DCU is going next — we’ve got it all covered. © SLUURP | Footage from Superman (2025) and used for Commentary, Review and Analysis Purposes and therefore Transformative and protected by Fair Use. COPYRIGHT 🚩 Do you have a copyright issue? Please contact sluurptv@gmail.com and we'll do all we can to help! The footage used in our videos falls under the US description of fair use as stated under Section 107 of the Copyright Act 1976. All of our videos are transformative in nature, use no more of the original than necessary, and have no negative effect on the market for the original work(s). Furthermore, our editorial-based videos also meet the requirements based on commentary and criticism.