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Rotation is an integral part of piano technique (see Tobias Matthay, The Visible and Invisible in Piano Technique), but when we think about it too much, we tend to overdo it. In Pianimals we feed the reflexes the sense of rotation so that enough of it remains "in the system" for everything to run smoothly when we play. 0:14 Rotate while flopped on key like a Sleepy Bear 0:33 Rotate while the hand is in the shape of a bird beak 0:53 Rotate while walking between the thumb and the 5th finger 1:10 Speeding up the walking reduces the rotation but does not eliminate it all together. Pianimals, Alan Fraser's new children's piano method, brings the techniques of Piano Somatics to the young musician. With Pianimals Pointers, a slim workbook with sumptuous photographic illustrations, the Pianimals essentials are always close at hand. Watch these video demos to learn each Pianimals Pointer exercise clearly and effectively. Purchase Pianimals Pointers here: https://store.alanfraserinstitute.com... Pianimals Pointers Contents Basic Exercise “The Monster:” Draw flat fingertips towards heel Variation 1 Floating a loose finger into the key Variation 2 Oppose thumb to fingers; straighten thumb so the entire thumb moves, even the metacarpal bone Variation 3 Standing Variation 4 Sliding teaches hand the nice, taut feel somewhere in between limpness and stiffness Variation 5 Poke to exaggerate structural security Variation 6 Transfer the weight from one standing finger to another Variation 7 Rolling hand to move arm laterally Variation 8 Hopping Variation 9 Lying and rolling – preparation for large leaps Variation 10 Hooking the fingertip Variation 11 Flicking fingertip under Variation 12 5-finger overholding exercise