Spielberg Completist: THE PSYCHIATRIST: Par for the Course/The Private World of Martin Dalton(1971) скачать в хорошем качестве

Spielberg Completist: THE PSYCHIATRIST: Par for the Course/The Private World of Martin Dalton(1971)

My thoughts on the two episodes of "The Psychiatrist" which were directed by Steven Spielberg. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted. "Fair Use" guidelines: www.copyright.gov/fls/fl102.html UPDATE (09/22/2017) Producer Jerrold Freedman informs me: "I gave all my directors great latitude in shooting their episodes, but the core of the creativity was in the scripts, as it is in all television. Steven did not edit the shows, Bo May and I and our editors did that. That’s the way it is in episodic TV. But you work with what the director gives you, and he gave us good stuff. "Bo wrote Martin Dalton, and he and I and Tom Drake wrote Par For The Course. Tom wrote the story, but left to produce Then Came Bronson before he could write the teleplay. He asked if his friend Herb Bermann could take his place. I agreed. When Herb turned in his script, it was unusable, so Bo and I wrote it. The WGA gave Herb a partial credit, but it was undeserved." UPDATE (09/27/2017) Screenwriter Bo May informs me: "Adam -- What a pleasant surprise. You absolutely got it. Martin Dalton had to follow the format of a "resolved" ending - preferably in the Key of C. Basically no one at Universal Tower understood what we were doing. It was somewhat amazing that they ever agreed to the concept in the first place. For each episode they requested a car chase, a gun fight and a meaningful resolution. "In part, due to the demands of the production schedule, the "Par for the Course" script slipped beyond the corprate readers. ... The sixth script of the series, "Par for the Course", needed a total re-write - for reasons of LSD and Aldous Huxley which I could explain if you like. My solution was to make the psychiatrist have the 'problem', rend the veil so to speak into his character. Turn the tables and leave him speechless, only a human in the presence of a dying friend. Roy Thinnes grappled with his inability to have an "answer" and kept saying "I'm having trouble with this. You have forced my character into the void..." "We were able to get by with what was probably the only mention of marijuana on television during that time. "Yes, Steve had 'control' but he was working for Producer Jerry Freedman and myself. We had the reins and fought for Steve, the script and a program that was "non-TV" - to this day. It was a totally unique event. That moment in time of 1970/71 was a brief period at Universal TV that was soon shut tight by the cultural/political environment. "Your program was very insightful and touched me positively. As a bolt from the wild blue yonder I must say your email was a pleasant surprise."