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In this video, I’m taking you inside a brand new session to mix a hip-hop track from scratch. You'll see my entire process for mixing "Never Go Back" by Dure, featuring production by Kilavic. I walk you through my hybrid mixing workflow in Studio One, using a combination of plugins and analog hardware (WesAudio, Bettermaker) to get a punchy, professional sound. We cover gain staging, vocal chains, mix bus processing, and using Ozone 12 for a quick master. 🎛️ In this video, I cover: Setting up the session and gain staging. Hybrid routing with hardware inserts. Vocal processing (EQ, Compression, De-essing). Creative automation for delays and ad-libs. Finalizing the mix bus and loudness. 🎧 Support the Channel : Patreon ► / 2probeats Presets / Templates ► https://2probeats.com/shop/ 🛍 Affiliate Links: PluginBoutique ► https://2probeats.com/pluginboutique KMR Audio ► https://2probeats.com/kmr And use coupon code 2probeats at checkout to claim your 5% discount! Thomann ► https://2probeats.com/thomann Sweetwater ► https://2probeats.com/sweetwater 🌐 Connect with Me: Website ► https://2probeats.com/ Instagram ► / 2probeats Facebook ► / 2probeats 🗣 Join MIX TALK on Facebook: https://goo.gl/7sQ3o1 Disclaimer: Some links are affiliate codes, meaning I earn a small commission at no extra cost to you. Thanks for your support! #Mixing #HipHop #StudioOne #HybridMixing #audioengineering 00:00 - Intro & Song Preview 00:40 - Session Setup & Template 01:35 - Initial Balance & Gain Staging 02:08 - Tempo Detection & Organization 03:15 - Identifying Issues (Instrumental Balance) 04:52 - Hybrid Hardware Routing Setup 06:58 - Hardware EQ on Vocals (Prometheus) 08:35 - Hardware Compression (Mimas vs. 1176) 09:40 - De-essing & Cleaning Sibilance 10:40 - Vocal FX: Delay & Reverb 12:11 - Mix Bus Compression 14:15 - Tightening the Low End (Instrumental) 18:03 - Clipping & Saturation 19:03 - Mix Bus Limiting (The God Particle) 20:00 - Mastering with Ozone 12 AI Assistant 22:15 - Cleaning Vocal Boominess (Resonance Suppression) 24:00 - Swapping Compressors for Control 26:35 - Transient Shaping on Vocals (Spiff) 28:22 - Automating Delay Throws (UF8) 33:50 - Ad-Lib Processing & Width 37:30 - Vocal Bus Compression 41:10 - Final Tonal Balance Tweaks 46:04 - Conclusion & Exporting