Π£ Π½Π°Ρ Π²Ρ ΠΌΠΎΠΆΠ΅ΡΠ΅ ΠΏΠΎΡΠΌΠΎΡΡΠ΅ΡΡ Π±Π΅ΡΠΏΠ»Π°ΡΠ½ΠΎ How to Mix Kick & Bass - Beatport #1 Producer's EQ Technique ΠΈΠ»ΠΈ ΡΠΊΠ°ΡΠ°ΡΡ Π² ΠΌΠ°ΠΊΡΠΈΠΌΠ°Π»ΡΠ½ΠΎΠΌ Π΄ΠΎΡΡΡΠΏΠ½ΠΎΠΌ ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅, Π²ΠΈΠ΄Π΅ΠΎ ΠΊΠΎΡΠΎΡΠΎΠ΅ Π±ΡΠ»ΠΎ Π·Π°Π³ΡΡΠΆΠ΅Π½ΠΎ Π½Π° ΡΡΡΠ±. ΠΠ»Ρ Π·Π°Π³ΡΡΠ·ΠΊΠΈ Π²ΡΠ±Π΅ΡΠΈΡΠ΅ Π²Π°ΡΠΈΠ°Π½Ρ ΠΈΠ· ΡΠΎΡΠΌΡ Π½ΠΈΠΆΠ΅:
ΠΡΠ»ΠΈ ΠΊΠ½ΠΎΠΏΠΊΠΈ ΡΠΊΠ°ΡΠΈΠ²Π°Π½ΠΈΡ Π½Π΅
Π·Π°Π³ΡΡΠ·ΠΈΠ»ΠΈΡΡ
ΠΠΠΠΠΠ’Π ΠΠΠΠ‘Π¬ ΠΈΠ»ΠΈ ΠΎΠ±Π½ΠΎΠ²ΠΈΡΠ΅ ΡΡΡΠ°Π½ΠΈΡΡ
ΠΡΠ»ΠΈ Π²ΠΎΠ·Π½ΠΈΠΊΠ°ΡΡ ΠΏΡΠΎΠ±Π»Π΅ΠΌΡ ΡΠΎ ΡΠΊΠ°ΡΠΈΠ²Π°Π½ΠΈΠ΅ΠΌ Π²ΠΈΠ΄Π΅ΠΎ, ΠΏΠΎΠΆΠ°Π»ΡΠΉΡΡΠ° Π½Π°ΠΏΠΈΡΠΈΡΠ΅ Π² ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΊΡ ΠΏΠΎ Π°Π΄ΡΠ΅ΡΡ Π²Π½ΠΈΠ·Ρ
ΡΡΡΠ°Π½ΠΈΡΡ.
Π‘ΠΏΠ°ΡΠΈΠ±ΠΎ Π·Π° ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠ΅ΡΠ²ΠΈΡΠ° ClipSaver.ru
Learn the professional kick and bass mixing technique used on Beatport chart tracks. Jon Kong (Leftwing & Kody) shows you the exact EQ, side-chain, and bass exciter process to get your kick and bass working perfectly together in tech house, minimal, and techno productions. π FREE: Download my Drum Processing Chain (Logic & Ableton) β https://bit.ly/drumchain In this tutorial, you'll learn: β The 3-part bass EQ approach (sub, mid-bass, top bass) β Side-chain compression setup for perfect kick & bass ducking β R-Bass exciter technique for natural low-end enhancement β How to use spectrum analyzer to find clashing frequencies β Sub-frequency management (when to cut vs. shelf) β Mid-bass control at 100Hz for kick punch β Top-bass cleanup to avoid nasal frequencies β±οΈ TIMESTAMPS: 0:00 - Before & After Comparison (The Problem) 1:16 - Foundation: Getting Drums Right First 2:06 - Side-Chain Compression Technique 3:30 - R-Bass Exciter vs. EQ Boost 5:24 - The 3-Part Bass EQ Strategy 6:28 - Sub-Frequency Management (Low Shelf Technique) 9:30 - Mid-Bass Control at 100Hz (Kick Knock) 10:03 - Using Spectrum Analyzer to Find Clashes 11:41 - Top-Bass Cleanup for Clarity 13:45 - Final Nasal Frequency Removal 14:49 - Final Before & After Comparison π§ THE 3-PART BASS MIXING APPROACH: Jon breaks down bass into three frequency zones: 1οΈβ£ *Sub (20-60Hz):* Low shelf reduction to let kick sub through 2οΈβ£ *Mid-Bass (60-100Hz):* EQ cut for kick "knock" clarity 3οΈβ£ *Top-Bass (100-250Hz):* Cleanup for nasal frequencies πΉ ABOUT JON KONG: Jon Kong is the production and engineering force behind Leftwing : Kody and has 15+ years in house and techno production. His work has achieved multiple Beatport #1 releases across labels including Hot Creations, Solid Grooves, Defected, Armada, Sony, and Columbia, with collaborations spanning Michael Bibi, Patrick Topping, Hot Since 82, and Lost Frequencies. His records have received BBC Radio 1 support and contributed to hundreds of millions of streams worldwide. π TOOLS USED IN THIS VIDEO: VPS Multi-Band Side Chain Waves R-Bass Exciter FabFilter Pro-Q 3 (with Spectrum Analyzer) Standard EQ plugins π‘ PRO TIP FROM JON: "Look at bass in three parts - sub, mid-bass, and top-bass. Analyze each frequency zone separately rather than treating bass as one spectrum. This approach works across all house music genres from techno to progressive." #KickAndBass #MixingTutorial #TechHouse #MusicProduction #BeatportProducer #MinimalTechno #HouseMusicProduction --- βοΈ DISCLAIMER: This video is for educational and entertainment purposes only. Mixing techniques shown represent Jon Kong's professional workflow. Results may vary based on your DAW, plugins, and source material. Always use your ears and trust your judgment when applying these techniques. π¬ What's your biggest kick & bass mixing challenge? Drop a comment below! π Like this video if you want more professional mixing tutorials from Beatport producers. π Subscribe for pro production techniques that actually work in the club.