Cross-Border Conversation: From temp track to final score скачать в хорошем качестве

Cross-Border Conversation: From temp track to final score

How do composers realise their final composition from temporary music used in the edit? Many scriptwriters and writer-directors work on screenplays with music in mind, and these ideas can find their way into the temporary score used in the editing process. How do directors and editors collaborate using temporary music to best communicate their intentions and ideas to the composer? How does the composer work on the music without being distracted by the temp track? Does it make more sense for the composer to be engaged early in the process to provide rough sketches of cues so as to set the mood/tone and direction of the score? The speakers are drawn from the ScreenCraft Works mentoring community: Cecilia Muylaert – Composer (Brazil, Portugal, France) Payal Sethi – Writer, director, producer (India, Germany) Lauren Finch – Composer (UK) Farook Qais – Writer (UK) Holly Glover – Editor (UK) Thank you to Genelec for supporting this talk.