#3212 скачать в хорошем качестве

#3212

#3212-Stunning Golden Ring Pour, Yellow Domination, Fluid Acrylic Pouring7.30.18 LINKTREE link Below https://linktr.ee/PriscillaBatzell [email protected] Please use the email above to contact me for more information about a Private lesson or the purchase of original Artwork. Purchases of artworks and your purchases on my Amazon link help support the creation of videos. When inquiring about the purchase of YouTube Video art please include the date and file reference number found at the end of every video title. To Receive Notifications, click the bell near subscribe. Sharing and liking and posting the video helps me in so many ways and supports the continuation of doing what I love and the creation of video tutorials. Thank you to all that support my mission to break down creative barriers and help inspire those who wish to find joy in painting. I begin using a 16"x20" stretched canvas. All the paints I use are acrylic paints mixed with additives to help them flow more easily. All my colors are stored and mixed in squeeze bottles for ease of use.I add a variety of colors I like (from squeeze bottles) into the measuring cup, using the measuring cup to pour from. I pour them out in looping/swirling ring patterns. All the paints I use are acrylic paints mixed with additives to help them flow more easily. All my colors are stored and mixed in squeeze bottles for ease of use. All the colors I am using in my ring pour have been layered into the pouring container one by one, layering them one on top of the next slowly and carefully. The colors flow and spread as I tilt the canvas. I hold back the flow of paint from escaping using the edge of the canvas with an "edge catcher" (a flexible but somewhat rigid transparent sheet of s plastic salvaged from packaging). The edge catcher holds the pooled paint and is rocked at the edge to gently cover the edge. The paint that is pooled is first squeezed at the edge and then sent back, changing the pattern. A propane torch is cautiously passed over the surface of the canvas to release any air in the paint that might result in bubbles forming while the artwork dries or leaving pockmarks if left to pop on their own. My "pouring" mixture is 3/4 Floetrol with 1/4 (estimated) GAC800 from "Golden" (prevents cracking and adds shine to dry artwork.)mixed in thoroughly. Depending on the paint, the amount of color used can vary. I like to begin with half pouring mixture and half color. After that is mixed VERY thoroughly I add more pouring mixture until the viscosity (thickness) is like warm honey. If I want it thinner I add more Pouring mixture. If the color is not strong enough I add more pigment. When mixing colors my amounts are always estimated and then altered to get the right consistency I like. I use plastic squeeze bottles with measurements on the side. I add a marble to my bottle to aid in the mixing process. Marbles work well but exercise caution if you end up with more than one they will shatter in the mixture eventually. It's imperative (Important) that all mixture be shaken thoroughly once before using in any session the first every time! The consistency is usually medium "body" weight, but other weights are usable with minor adjustments. All my acrylic paints are mixed in advance and contained and stored in squeeze bottles. If you are not using squeeze bottles, I suggest using a container that has a tight-fitting lid or seals the container with Glad sticky wrap. I have often used the 4oz size plastic deli containers, and the paint keeps for a long time in them, but you must stir before using the mix again. Floetrol and other flow agents will rise to the top between uses. None of my acrylic paint has any added silicone. To create the pearlescent effects seen in most of my artworks, I use "Golden's" Iridescent pearl "Fine" added to colors. I add a good squirt directly into whatever I am mixing in. I recommend experimenting to find out how much is enough for your ideal shimmer. If I am using a cell accelerator to create a cell/blooming effect, the paint will be Amsterdam black (mixed with my usual pouring medium mixture)with the addition of 10 drops of Minwax pre-stain wood conditioner added for every 2 ounces of mixed paint. Meeden black acrylic paint with added 1-2% distilled water added, offering an excellent cell-making capacity as an alternative. Every day I learn new things. I will never stop experimenting, and I am happy to share what I discover with you. To see finished wet and dry versions of all my Youtube demonstration artworks for sale, visit my Expressionist Art Studio Gallery Fans and Collectors group on Facebook #3200 wet shown in this video.