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The Shining (1980) - Main Title Theme (Dies Irae Adaptation)
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The Shining (1980) - Main Title Theme (Dies Irae Adaptation)

Adapted and composed by Wendy Carlos and Rachel Elkind Wendy Carlos information: Wendy Carlos (born Walter Carlos; November 14, 1939) is an American musician and composer best known for her electronic music and film scores. Born and raised in Rhode Island, Carlos studied physics and music at Brown University before moving to New York City in 1962 to study music composition at Columbia University. Studying and working with various electronic musicians and technicians at the city's Columbia-Princeton Electronic Music Center, she oversaw the development of the Moog synthesizer, then a relatively new and unknown keyboard instrument designed by Robert Moog. Carlos came to prominence with Switched-On Bach (1968), an album of music by Johann Sebastian Bach performed on a Moog synthesizer which helped popularize its use in the 1970s and won her three Grammy Awards. Its commercial success led to several more keyboard albums from Carlos of varying genres including further synthesized classical music adaptations and experimental and ambient music. She composed the score to two Stanley Kubrick films, A Clockwork Orange (1971) and The Shining (1980) and also Tron (1982) for Walt Disney Productions. In 1979, Carlos was one of the first public figures to disclose having undergone gender reassignment surgery. Rachel Elkind information: Rachel Elkind (born February 23, 1939) is an American classical musician, producer and composer. She produced the work of Wendy Carlos, most notably the bestselling 1968 album Switched-On Bach. Elkind grew up in San Francisco. She moved to New York City hoping to be a jazz singer. Elkind worked closely with Carlos from 1967 to 1980, when she moved to France with her husband, Yves Tourre. Carlos considers Elkind's contribution to her work underappreciated. Elkind's singing voice was processed via a vocoder on several Carlos recordings. She is also credited as co-composer for The Shining film score. She also produced the 'One Voice Many' album by the rock band Michaelangelo in 1971 for Columbia Records. The Shining movie information: The Shining is a 1980 horror film produced and directed by Stanley Kubrick and co-written with novelist Diane Johnson. The film is based on Stephen King's 1977 novel The Shining. The Shining is about Jack Torrance (Jack Nicholson), an aspiring writer and recovering alcoholic, who accepts a position as the off-season caretaker of the isolated historic Overlook Hotel in the Colorado Rockies. Wintering over with Jack are his wife Wendy Torrance (Shelley Duvall) and young son Danny Torrance (Danny Lloyd). Danny possesses 'the shining', psychic abilities that include him seeing the hotel's horrific past. The hotel's cook, Dick Hallorann (Scatman Crothers), also has this and is able to telepathically communicate with Danny. The hotel had a previous winter caretaker who went crazy and killed his family and himself. After a winter storm leaves the Torrances snowbound, Jack's sanity deteriorates due to the influence of the supernatural forces that inhabit the hotel, placing his wife and son in danger. Production took place almost exclusively at EMI Elstree Studios with sets strongly based on real locations. Kubrick often worked with a small crew which allowed him to do many takes, sometimes to the exhaustion of the actors and staff. The new Steadicam was used in several scenes giving it an innovative and immersive look and feel. Because of inconsistencies, ambiguities, symbolism, and differences from the book, there has been much speculation into the meanings and actions in the movie. There were several versions for theatrical releases, each being shorter than the prior, with about 27 minutes cut. Although contemporary responses from critics were mixed, assessment became more favorable in following decades and it is now widely regarded as one of the greatest horror films ever made. American director Martin Scorsese ranked it one of the 11 scariest horror movies of all time. Critics, scholars, and crew members (such as Kubrick's producer Jan Harlan) have discussed the film's enormous influence on popular culture.

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