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2022香港高级视听展 原音精选SACD.ISO|Hong Kong AV Show 2022|The Perfect Sound香港原音精选2022

2022香港高级视听展 原音精选SACD.ISO|Hong Kong AV Show 2022|香港原音精选2022 慕尼黑音响展、广州东方展、香港高级视听展是三个有名的HIFI展会，其中香港高级视听展是由香港《音响技术》杂志主办，每年都在香港会展中心举行，展会很专业. 展覽會上雲集全球各地高級視聽品牌產品，諸如坐地喇叭、黑膠唱盤、前後級擴音機、膽機石機、數碼解碼器、音響線材、投影機、高質素黑膠唱片及CD等，部分器材身價更過百萬元，最難能可貴是能夠近距離體驗最新視聽產品. The Munich Audio Show, Guangzhou Oriental Show and Hong Kong High End Audio Visual Show are three famous HIFI exhibitions, among which the Hong Kong High End Audio Visual Show is organized by the Hong Kong Audio Technology magazine and held every year at the Hong Kong Convention and Exhibition Centre, which is very professional. The show gathers advanced audiovisual brands from all over the world, such as floor speakers, vinyl turntables, pre and post amplifiers, tube machines, digital decoders, audio cables, projectors, high quality vinyl records and CDs, etc. Some of the equipment costs more than a million dollars, and the most valuable thing is to be able to experience the latest audiovisual products at close range. 每年的贈送CD都會選上十幾首曲子，今年也不例外，選了14首曲子，有女聲、男聲、古典音樂、爵士樂、廣東歌、華語歌、中樂、擊鼓等，配重可說設想周到，送家里的CD里摘录几首代表性的分享给烧友们，希望大家喜欢。Every year, we choose a dozen or so songs for the free CD, and this year is no exception. 14 songs were chosen, including female, male, classical, jazz, Cantonese, Chinese, Chinese music, drumming, etc. The weighting can be said to be well thought out, and a few representative songs from the CDs sent home are shared with the enthusiasts. 专辑曲目： 00:00 周華健 - 明天我要嫁给你 03:23 Mary Preston (Organ) Jerry junkin_Dallas Wind Symphony - RICHARD STRAUSS FESTIVE INTRADA 09:41 張強（琵琶）_王建華（大鼓） - 十面埋伏 15:51 Stefanie Boltz - THE SOUND OF SILENCE 19:56 Charl du Plessis Trio - J S BACH TOCCATA & FUGUE 24:39 Jheena Lodwick - MORNING HAS BROKEN 28:20 La Pocha y Su Grup de Flamenco - JALEO (PALMAS)-ME VA 32:41 朱哲琴 - 吹箫人 39:21 Ronald Brautigam (Piano) Michael Alexander Willens_Kolner akademie - MOZART PIANO CONCERTO NO.20 K466 II 46:36 山西絳州鼓藝團 - 打鼓山传奇 ​​五星推荐Five-star recommendation: 理查史特勞斯的｢Festival Intrada」，考驗的是管風琴低頻的再生能力，包含量感與下潛。此外還有銅管的表現也很考，如果音樂聽起來沒有光澤，死板，那就無法感受到這首曲子想要給人的音樂震撼力。Richard Strauss' "Festival Intrada" tests the organ's ability to regenerate low frequencies, including volume and dive. In addition, the performance of the brass is also very test, if the music does not sound lustrous and rigid, it will not be able to feel the musical power that this piece wants to give people. ｢十面埋伏」以琵琶、鼓為主，鼓沒有什麼難度，難的是琵琶。有的音響系統琵琶聽起來會太硬太剛，有的系統聽起來會太尖太亮，唯有聽起來剛中帶柔、而且會有甜味，有撥弦彈性，聲音不要太亮，這樣才會接近琵琶的原音。其實如果您沒近距離聽過琵琶演奏，我怎麼說您也無法真正 體會，唯有近距離聽過樂器演奏，您腦中才會有正確的Reference。 The drums are not difficult, but the lute is. The only way to get close to the original sound of the pipa is to have it sound soft and sweet, with plucking flexibility and a sound that is not too bright. In fact, if you have never heard a pipa played at close range, you will not be able to truly The only way to get the right reference in your head is to hear the instrument played at close range. ｢The Sound of Silence」的翻唱，此處的翻唱不同於大部分的翻唱，可聽性很高，但也有點怪。這首曲子的考驗在於低頻的解析力與Soundstage的呈現能力，算是小考。 The cover of "The Sound of Silence" is different from most of the covers here, it is very listenable but also a bit strange. The test of this song lies in the low frequency resolution and the ability to present the soundstage, which is a small test. ｢Morning Has Broken」也算是選來給大家聽好聽的，沒有什麼音響系統表現上的難度。Song "Morning Has Broken" is a good choice for everyone to listen to, without any difficulties in the performance of the sound system. 第十首佛拉明哥演奏就有挑戰性了，吉他演奏的音效不是重點，高音的啪啪聲與低音的踩木台聲才是重點。那高音的啪啪聲可以聽出是什麼樂器嗎？或者會是拍手嗎？還是只聽到啪啪聲但顯不出樂器或手掌互擊的真實質感？舞者腳踩地板台的聲音是札實有勁量感適中呢？還是低頻轟然？如果我們站在旁邊看演出，其實沒有什麼音響效果可言。但是因為這是 麥克風所拾取的聲音，放大很多倍，所以啪啪聲與腳踩地板的聲音就變得有震撼力了。 The tenth flamenco song is challenging. The sound of the guitar playing is not the main point, but the snapping sound of the treble and the stomping sound of the bass is the main point. Can you tell what instrument the soprano snapping sound is? Or will it be hand clapping? Or can you just hear the slapping sound but not the real sense of the instruments or palm striking each other? Is the sound of the dancers' feet on the floor solid and powerful with a moderate sense of volume? Or is it a low frequency boom? If we stand on the sidelines and watch the performance, there is actually no acoustics to speak of. But because this is The microphone picks up the sound and amplifies it many times, so the popping sound and the sound of the feet on the floor becomes powerful. ｢吹簫人」，這是朱哲琴在｢阿姐鼓」之前所出版的CD，老實說我喜歡這張更甚於｢阿姐鼓」，錄音效果好，音樂也是我喜歡的。這張考驗的是低頻的表現能力，還有Soundstage的層次深度定位空間感，小音響系統與大音響系統聽起來的效果天差地別。 古鋼琴演奏莫札特的｢第二十號鋼琴協奏曲」。古鋼琴的音響效果無法跟現代鋼琴相比，聽起來規模感小、泛音沒那麼豐富、觸鍵的鏗鏘質感也差很多，更不要提低音鍵的音響效果。重點在於能否將古鋼琴這些｢缺點」完整呈現出來？ 最後一首｢打鼓山傳奇」取自大家都有的｢絳州大鼓20周年」CD。這首曲子的錄音效果為Leo Fung的錄音功力下了定錨，的確非常傑出。可惜這首曲子的真正音響效果我相信沒幾個人聽過，沒幾個人感受過，大部分人以為鼓聲的音響效果就是那樣而已。 家裡如果沒有大功率擴大機、大喇叭系統，無法開大聲聽，都只是聽到這首鼓樂錄音效果的皮毛而已。如果聆聽空間小，會覺得不必開很大聲低頻就滿滿，其實那都是聆聽空間的低頻峰值作祟，沒有真正鼓打出來的真實質感。迎神廟會時，您去現場聽聽看那鼓聲的震撼，那種小尺寸的鼓打出來的聲波震動就會讓人吃驚了，而這首曲子裡面用了那麼多小尺寸的鼓，還有2.6公尺直徑、1.8公尺、1.5公尺直徑的大鼓，其發出的強勁聲波震撼力可想而知，這最後一首曲子是真正的大考驗。