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Learn Music by Ear: Comparing Ways to Develop Relative Pitch

How would YOU learn to have Relative Pitch? Breaking down the Pros and Cons for each System of developing Relative Pitch ►► Download my FREE Music Theory Survival Guide → https://www.JoshRing.com/Free 00:00 Overview and Free Guide 02:39 Neutral Syllable 04:40 Memorize Intervals 06:54 Letter Names 08:29 Numbers of Scale Degrees 10:45 Solfège 14:21 Movable-Do vs. Fixed-Do Solfège 15:56 Minor Solfège 16:06 La-Based Minor Solfège 18:57 Do-Based Minor Solfège 20:55 Final Tip 21:44 Grab the Free Guide! Adam Neely: Why you DON’T want Perfect Pitch:    • Why you DON'T want Perfect Pitch   Adam Neely does a GREAT job explaining the different types of pitch recognition that people can have. One vital type of pitch recognition that musicians use CONSTANTLY is Relative Pitch – the ability to identify the notes of a melody or chord progression. The good news is that YOU can learn to have Relative Pitch! So if Relative PItch can be learned, HOW then do we learn it? What system would we use? Today we break down the various types of systems you could use to learn Relative Pitch. Singing is a large component of learning Relative Pitch through these systems, but the good news is that you don’t have to be a ‘singer’ to sing. You don’t have to be perfect. Some of us are so afraid to start because we can’t do it perfectly, or we give up too soon because we’re better at reading music. DON’T GIVE UP, and don’t worry about being perfect. This takes time, but it’s well worth the effort! ►► Don’t forget to download my Music Theory Survival Guide! → https://www.JoshRing.com/Free