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Dvorak's seventh symphony in succession, written in D minor, enjoys a special status in the composer's series of nine symphonies. Its gloomy atmosphere is in direct contrast not only to its two neighbouring symphonies (Nos. 6 and 8), but also to the large majority of Dvorak's oeuvre as a whole. It is characteristic for its dramatic expression and sombre atmosphere of grave uncertainty and obstinate defiance. It is distinguished for its absence of any Slav-inspired melodies which were characteristic for the composer's preceding Slavic period and with which his compositional style is usually associated. In spite of its dramatic impact, this is also a profoundly intimate work where the composer examines the meanderings of his soul and the answers to elementary issues of human existence. While it cannot compete in popularity with Dvorak's New World Symphony, in terms of its overall conception, the gravity of its testimony and its masterful formal treatment, this is a supreme example of symphonic writing which ranks alongside some of the most important works in the post-Beethoven development of the symphonic genre; a number of experts even place it above the symphonies of Brahms. The fourth movement in sonata form (with an abridged recapitulation) might be characterised as an image of a heroic surge of will, an impression evoked immediately in the main theme with its opening ascending octave leap. The entire movement is an example of masterful thematic treatment, unfailing invention and a sense of the architecture overall. The movement culminates in an impressively structured coda which, with its resolute, liberated expression, brings the work to a confident close.