Handel: Messiah Reimagined - Nativity & Epiphany скачать в хорошем качестве

Handel: Messiah Reimagined - Nativity & Epiphany

ARTEK New York City period instrument ensemble 2026 Holiday Concert: Messiah Reimagined Recorded live concert, January 1, 2026 Co-sponsored by ARTEK and Saint Ignatius of Antioch Episcopal Church Program: Messiah, Part I: Nativity Music: George Frideric Handel (1685-1759) Words: King James Bible (1611); Charles Jennens (1700-1773) Sinfonia Recitative accompagnato: Comfort ye Air: Ev’ry valley shall be exalted Andrew Fuchs, tenor Chorus: And the glory of the Lord Recitative: Behold, a virgin shall conceive Air & Chorus: O thou that tellest good tidings Kim Leeds, mezzo-soprano Recitative accompagnato: For behold, darkness shall cover the earth Air: The people that walked in darkness Peter Becker, bass Chorus: For unto us a child is born Pifa Recitative accompagnato: There were shepherds abiding in the field Sarah Frei, soprano Chorus: Glory to God Air: Rejoice greatly Sarah Frei, soprano Recitative: Then shall the eyes of the blind Duet: He shall feed His flock Juli Borst, mezzo-soprano; Jenna Takach, soprano Chorus: His yoke is easy, and His burden is light. Messiah, Part II: Epiphany Music: George Frideric Handel (1685-1759), adapted Gwendolyn Toth Words: King James Bible (1611); additional lyrics by Lawrence Rosenwald Recitative accompagnato & Trio: Now when Jesus was born Air: Bethlem set in Judah’s land (originally "Angels Bright and Fair" from Theodora) Elisa Sutherland, mezzo-soprano Trio: Kim Leeds, mezzo-soprano; Andrew Fuchs, tenor; Steven Hrycelak, bass Recitative: And Herod sent the wise men Air: Like hunters in the woodland (originally "Va tacito" from Giulio Cesare) Recitative: When they had heard the king Steven Hrycelak, bass; Stephanie Corwin, bassoon Sinfonia (originally "Arrival of the Queen of Sheba" from Solomon) Recitative: And, lo, the star Air: Let the bright star above (originally "Let the bright Seraphim" from Samson) Christina Kay, soprano; John Thiessen, trumpet Recitative accompagnato: And when they were come into the house Chorus: Welcome infant king (originally "Welcome Mighty King" from Saul") Recitative: And being warned of God Christina Kay, soprano Sinfonia (originally, Sinfonia to Act III, Occasional Oratorio) Cynthia Freivogel, violin; Theresa Salomon, violin; Loretta O’Sullivan, cello Recitative: When the days of Mary’s purification Air: Sweet birds (originally "Sweet bird" from L'Allegro, Il Penseroso ed Il Moderato) Clara Rottsolk, soprano David Ross, flute; Sang Joon (Fritz) Park, flute Recitative: Behold, there was a man Air: Come ye, angels (originally "Waft ye angels" from Jephtha) Recitative: And he came by the Spirit Richard Pittsinger, tenor Duet & Chorus: Lord, now lettest thou thy servant depart in peace (originally "De torrente in via" from Dixit Dominus) Clara Rottsolk, soprano; Elisa Sutherland, mezzo-soprano Chorus: Let their celestial concerts all unite (originally from Samson) Artists: Gwendolyn Toth, conductor & harpsichord Sarah Frei, soprano Christina Kay, soprano Clara Rottsolk, soprano Jenna Takach, soprano Juli Borst, mezzo-soprano Elisa Rutherford, mezzo-soprano Andrew Fuchs, tenor Richard Pittsinger, tenor Steven Hrycelak, bass Peter Becker, bass Cynthia Freivogel, concertmaster Theresa Salomon, principal violin 2 Alyssa Campbell, Ryan Cheng, Peter Kupfer, Francis Liu, Rafa Prendergast, Jeremy Rhizor, violins Dan McCarthy, principal viola Andrea Andros, Bennett Mahler, violas Loretta O’Sullivan, principal cello Arnie Tanimoto, Nathan Whittaker, cellos Jessica Powell Eig, double bass David Ross, flute 1 Sang Joon (Fritz) Park, flute 2 Stephen Bard, oboe 1 Caroline Giassi, oboe 2 Stephanie Corwin, bassoon John Thiessen, trumpet 1 Robby Garrison, trumpet 2 Danny Mallon, timpani Daniel Swenberg, theorbo Stephen Rapp, keyboard glockenspiel Dongsok Shin, organ & recording producer ARTEK concerts and events are made possible, in part, with public funds from the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and with public funds from the New York City Department of Cultural Affairs in partnership with the City Council.