The Story of the Moving Art Gallery of Dhaka’s Streets скачать в хорошем качестве

The Story of the Moving Art Gallery of Dhaka’s Streets

This video is a short visual and narrative study of rickshaw art in Dhaka, focusing on it as a form of urban folk art that lives outside galleries and museums and moves through the street as a kind of public gallery. It explains where rickshaw art comes from, how it developed over time, who paints it, and who commissions it, including the roles of rickshaw artists, makers, and owners. The video pays attention to the images that appear again and again, drawn from nature, architecture, popular cinema, satire, and important social and historical moments. These paintings carry both rural memory and urban life. Instead of seeing rickshaw art as simple decoration, the video treats it as something alive and constantly on the move, carrying shared tastes, memories, and stories through the city. The visuals shown were collected from internet sources, including works by Nobo Kumar and Bhadra. #RickshawArt #RickshawPaint #DhakaStreets #DhakaStreetArt #UrbanFolkArt #BangladeshArt #BangladeshVisualCulture #MovingGallery #StreetAesthetics #EverydayArt #PopularArt #FolkArt #SouthAsianArt #PublicArt #citystories Fair Use Disclaimer Astittow: Digital Folk Narratives of Bangladesh may use copyrighted materials without specific authorisation from the copyright owners. However, all content used falls under “Fair Use” as described in the Bangladesh Copyright Act, 2000 (Law No. 28 of 2000), specifically Chapter 6, Section 36 and Chapter 13, Section 72. Under this law, allowance is made for fair use for purposes such as documentation, academic research, narrative analysis, contextual interpretation, and critical engagement with digital and folk narratives. Fair use refers to the use of copyrighted material that might otherwise be infringing but is permitted by copyright law. Non-profit, educational, academic, or personal use weighs in favour of fair use. In addition, under Section 107 of the U.S. Copyright Act of 1976, fair use is permitted for non-commercial and educational purposes where copyrighted material is used in a transformative and contextual manner. About Astittow Astittow: Digital Folk Narratives of Bangladesh is a digital platform that focuses on cultural practices which are represented and shared by people and communities. It documents folk art, artists, lifestyles, and lived experiences while paying attention to context, history, and social change. Astittow also encourages critical engagement with art, artists, and communities. It also explores how culture from a post-colonial context like Bangladesh can be shared globally through a community-driven platform and be a voice for those who are hardly heard. Content Rights & Permission Astittow retains rights over its original content. Any third-party material used remains the property of its respective copyright holders and is included under fair use for non-commercial, educational, and academic purposes only. No individual or business entity is permitted to reproduce, distribute, or reuse Astittow’s original content without prior written permission. If you believe your copyrighted material has been used inappropriately, please contact us directly for clarification or resolution.