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Seven years. That's how long my brother Marcus and his family lived with me in the Portland home our parents left us. Seven years of shared dinners, movie nights, and me helping raise my niece Zoe while Marcus and Vanessa "figured out their careers. " Seven years of me paying the majority of the mortgage while working overtime as a film editor so they could chase auditions. Seven years of being the reliable one, the foundation, the safety net. Before we jump back in, tell us where you're tuning in from, and if this story touches you, make sure you're subscribed—because tomorrow, I've saved something extra special for you! And it took them exactly twenty minutes to decide I wasn't worth waiting for when I needed them most. "Hollywood won't wait for your recovery, Em," Marcus said, standing in my hospital room with luggage tags already attached to their bags. I could barely focus on his face through the haze of medication. "This is our big break. MY big break. " He was holding my screenplay in his hand. The one I'd spent three years perfecting. The one he was now calling "our collaboration. " "When you're better, you can join us," Vanessa added, not quite meeting my eyes. "Zoe's already enrolled in a performing arts school there. " I remember trying to form words as they walked out, the IV in my arm restricting my movement. "But the house. . . who will. . . " "We've left the spare key with Noah next door. He said he'd check in on you. " That was it. My family, walking out the door while I fought an autoimmune flare-up that had landed me in the hospital for what would become a six-week stay. I didn't know then that the screenplay in my brother's hand would become the foundation of his sudden success. I didn't know I would spend the next year relearning how to live alone while managing my condition. And I certainly didn't know that one day, Marcus would call me in desperation, needing the very thing he abandoned: family. But that's getting ahead of the story. My name is Emma Wilson. I'm 34 years old, and until two years ago, I was just another invisible person in the film industry—an editor who helped other people's visions come to life while my own creative dreams collected dust in desk drawers. I wasn't unhappy, exactly. I was good at what I did, cutting together everything from independent documentaries to commercial work. Portland has a vibrant film scene, not Hollywood-level, but enough to keep skilled editors employed. When our parents died within six months of each other—Dad from a sudden heart attack, Mom from what seemed like a broken heart—they left the house to both Marcus and me. It was a beautiful craftsman-style home in the Sellwood neighborhood, too big for just me but filled with memories I couldn't bear to part with. Marcus was struggling then, picking up small theater roles and commercial work, nothing stable. Vanessa had just had Zoe, and they were drowning in rent for a small apartment. "Just until we get established," Marcus had said when I offered them the larger bedroom suite. "You're a lifesaver, Em. " I didn't mind, not really. After spending all day in dark editing bays, coming home to a lively house felt right. Zoe was a bright spark, growing from a toddler to a clever nine-year-old during their stay. I became "Auntie Em," the one who helped with science projects, who explained movie magic, who quietly paid the bills when Marcus's acting checks were delayed. In the evenings, after Zoe went to bed, I'd work on my screenplays. Marcus would sometimes read them, offering suggestions, seemingly supportive. "You've got real talent, Em," he'd say. "You should do something with these. " But there was always a reason not to submit them anywhere. The market wasn't right. I needed more connections. It was better to keep a stable job with my condition. My autoimmune disease—lupus—had been diagnosed in my twenties. Most of the time, I managed it well enough. Regular medication, avoiding triggers, getting enough rest. But stress always made it worse, and with the responsibilities of the house, my job, and supporting my brother's family, flare-ups became more frequent. The big one hit after I'd pulled three all-nighters finishing a project for a demanding client. I remember the familiar butterfly rash spreading across my face, the joint pain making my fingers too stiff to type, the fever that wouldn't break. Noah, our elderly neighbor who had become a friend, was the one who called the ambulance when he found me collapsed on the front porch, keys fallen from my swollen hands. That's where our story really begins—not with the seven years of sacrifice, but with the hospital room where everything changed. The doctors called it a severe flare. My kidneys were involved this time, which was dangerous. "You need complete rest," Dr. Patel said, her kind eyes serious above her mask. "No work, no stress, focused treatment. We're talking weeks, possibly months of recovery. "