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In this new video, Charline von Heyl speaks with her cousin Marie von Heyl — an artist, writer, and philosopher — about her debut exhibition at the gallery. “If you can reverse-engineer the painter out of the painting, I think that’s actually the failure of the painting. Of course, I acknowledge that this work wouldn’t be what it is had it not been drawn from the incredibly weird and diverse material I’ve been collecting internally — without even realising it.” — Charline von Heyl Charline von Heyl (b. 1960, Germany) lives and works in between New York, NY and Marfa, TX. She studied painting in Hamburg and Düsseldorf and participated in the Cologne-based art scene in the 1980s. The Giddy Road to Ruin is currently on view at the George Economou Collection in Athens in June, focusing on works from the 1990s to the present and curated by Adam Weinberg and Skarlet Smatana. Her paintings were featured in the 59th Biennale di Venezia (2022). von Heyl has been the subject of numerous solo exhibitions, including at the Hirshhorn Museum, Washington, D.C. (2018); Museum Dhondt-Dhaenens, Deurle (2018); Deichtorhallen, Hamburg (2018); Tate Liverpool (2012); Kunsthalle Nürnberg (2012); Institute of Contemporary Art, Boston (2012); Institute of Contemporary Art, Philadelphia (2011); Le Consortium, Dijon (2009); Dallas Museum of Art (2005); and Vienna Secession (2004), among many others. Marie von Heyl is a Berlin based artist, writer and philosopher. She completed her studies at KHB Weißensee (Berlin), the Royal Academy (London) and the Technical University Berlin. Marie von Heyl works with and on subject-object relations, the productive inadequacies of language and the creative process as a libidinal practice. Since 2020 she publishes the Podcast Eclectic Engineering with dialogues and monologues on art, philosophy, feminist theory and psychoanalysis. Currently she is enrolled in the PHD programme at UDK Berlin with a dissertation on the Eros of conversations. More on the exhibition: https://www.xavierhufkens.com/exhibit...