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Bhajan Sandhya (Live At Hare Krishna Mandir)- Anup Jalota (1982)

From the Jacket of the Dual LP Set: Hare Krishna Land is undoubtedly Bombay's most extraordinary cultural project in the spiritual realm. It is the largest centre of the International Society for Krishna Consciousness (ISKCON). It was constructed under the instructions of the Guru and Founder-Acharya, His Divine Grace A.C. Bhaktivedanta Swami Prabhupada. Residing on 4 acres of verdant land, just two minutes away from the beach, the Mandira glitters like a priceless gem in the heart of Juhu. It is a masterpiece of temple architecture, replete with 24 domes of sculptured white marble and a finely carved red sandstone gate. Thousands of visitors stream to this spot, throughout the day, to pay their obeisances to Their Lordships Shrishri Radharasabihariji- the main attraction; others listen to timeless discourses on Bhagavad-gita. Adjoining the temple is the Guesthouse, two seven-storey towers finished in red and white sandstone. Krishna Consciousness is not something sectarian. It is for everyone, irrespective of caste, creed, nationality, birth or any other arbitrary discrimination. Krishna Consciousness is the most scientific process for re-awakening our dormant love for the Supreme Personality of Godhead, Lord Shri Krishna, and re-establishing our lost relation with Him, in pure, unalloyed devotional service. This is very easily achieved, in this age of Kali, by chanting the various names of God, especially the Hare Krishna Mahamantra:- HARE KRISHNA HARE KRISHNA KRISHNA KRISHNA HARE HARE/HARE RAMA HARE RAMA RAMA RAMA HARE HARE. Shrila Prabhupada's idea in constructing this wonderful project (ISKCON's largest) was that whatever people like to enjoy- a comfortable room, good food, beautiful art, music, dance, drama- whatever they want, they should have in a superlative form, with Krishna in the centre. One of the main attractions has always been the variety of programmes presented by the Bhakti Kala Kshetra- a Devotional Centre for the Performing Arts. Innumerable artists eagerly come forward to render inspiring performances in a spirit of love and devotion. ISKCON's 421-seat, air-conditioned auditorium, fully equipped with advanced sound and lighting facilities, provides an adequate setting for dance, drama, solo recitals (both vocal and instrumental) and for the other representative arts. The list of performers includes such stalwarts as M.S. Subbulakshmi, Hari Om Sharan, Jagjit & Chitra Singh, Yesudas, Vyajayanthimala, Hema Malini, Uma Sharma, Arvind Parikh, Shiv Kumar Sharma, Zakir Hussain, Hari Prasad Chaurasia and many many others. About the Artist: Anup Jalota is one of the most popular Bhajan artists today. On a very special occasion, he performed at the ISKCON Temple and cast a devotional spell over all the listeners. The salient excerpts of the live recording done on this occasion are presented on this prestigious double album Bhajan Sandhya. Live Recording Is Done By Shri Daman Sood and is produced by Damodara Pandita Dasa of Bhakti Kala Kshetra. Tracklist: 1. Introduction by Pt. Vinod Sharma 0:00- 2:00 Narrated By: Pandit Vinod Sharma 2. Aisi Laagi Lagan 2:01- 9:59 Sung By: Anup Jalota Music: Anup Jalota Lyrics: Meerabai 3. Rang De Chunariya 10:00- 20:21 Sung By: Anup Jalota Music: Self Lyrics: Meerabai 4. Prabhuji Tum Chandan Hum Paani 20:22- 26:16 Sung By: Anup Jalota Music: Self Lyrics: Sant Raidas 5. Woh Kaala Ek Bansuriwala 26:17- 32:07 Sung By: Anup Jalota Music: Self Lyrics: Saraswati Kumar Deepak 6. Jag Mein Sundar Hain Do Naam 32:08- 38:27 Sung By: Anup Jalota Music: Self Lyrics: Traditional 7. Chadariya Jhini Re Jhini 38:28- 53:13 Sung By: Anup Jalota Music: Self Lyrics: Sant Kabirdas 8. Tan Ke Tambure Mein 53:14- 57:47 Sung By: Anup Jalota Music: Self Lyrics: Bharat Vyas 9. Main Nahin Makhan Khayo 57:48- 1:13:15 Sung By: Anup Jalota Music: Self Lyrics: Kavi Sant Surdas 10. Itna Toh Karna Swami 1:13:16- 1:16:53 Sung By: Anup Jalota Music: Self Lyrics: Kavi Pradeep Note: The album is recorded from the LP Record and is cleaned completely through Abalton (all thanks to ‪@maheshmax14‬ for helping me out through this). Disclaimer: The album is for entertainment purposes only. No copyright infringement is done. The copyrights of this album go to ‪@IshtarMusic‬, ‪@IshtarDevotional‬, and ‪@universalmusicindia‬. If you still face any issues, you can contact me at [email protected] WARNING!: EXCEPT FOR THE PARENT COMPANIES, NOBODY EVER HAS THE RIGHT TO REPRODUCE THIS ALBUM EITHER IN THE AUDIO OR IN THE VIDEO FORM. IF FOUND, SEVERAL LEGAL ACTIONS WILL BE TAKEN ON THAT PERSON. THANK YOU!