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[The audio for Part 6B has been replaced to comply with copyright restrictions. To access the original clip please contact Centre 42 at [email protected]] Casey responds to the excerpt in Part 6A with a video montage of media portrayals of nightclub singers. Part 1: • The Vault 1.1: Nineteen Sixty-Four | Part ... Part 2: • The Vault 1.1: Nineteen Sixty-Four | Part ... Part 3: • The Vault 1.1: Nineteen Sixty-Four | Part ... Part 4: • The Vault 1.1: Nineteen Sixty-Four | Part ... Part 5: • The Vault 1.1: Nineteen Sixty-Four | Part ... Part 6A: • The Vault 1.1: Nineteen Sixty-Four | Part ... Part 7: • The Vault 1.1: Nineteen Sixty-Four | Part ... Part 8: • The Vault 1.1: Nineteen Sixty-Four | Part ... || Recorded Sep 22, 2014, Black Box, Centre 42 || Collaborator-artists: Nora Samosir, Serene Chen, Casey Lim & Robin Loon Video edited by Daniel Teo The Vault invites artists and practitioners to respond critically and personally to canonical Singapore classics, lesser known pieces and rarities, reworks and adaptations, and cross-cultural and cross-genres works. This first edition of The Vault showcased Lim Chor Pee’s “A White Rose at Midnight” (1964) and Goh Poh Seng’s “When Smiles Are Done” (1965). Please head to www.centre42.sg for more information, or email [email protected] if you have any enquiries or feedback.