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It’s one thing to play the notes you want to use but another to bring them to life. In this video , I’m working with Spitfire Audio’s BBC Symphony Orchestra library to have a first look at Orchestral programming, beginning with a Violin phrase. Explore The Complete Orchestral sample Programming Bundle: 👉https://learn.jonobuchananmusic.com/p... So, this episode will explore some of the key ways that composers putting together orchestral mock-ups work with sample libraries to make them feel more musical. I’ll show you the key MIDI Controllers - Modulation (#1), Expression (#11) and Vibrato (#21), to explore what each can offer a melody. We’ll also see how Logic’s Force Legato feature can help shape a phrase and how Velocity can be used to introduce Glissando. Let’s take the first steps into orchestral programming. -------------------------------------------------------- 🎦 Part 2 ➡️ • LOGIC PRO X - Orchestral Development : Orc... 🎦 Part 3 ➡️ • LOGIC PRO X - Orchestral Programming in Lo... 🎦 Part 4 ➡️ • LOGIC PRO X - Orchestral Programming in Lo... -------------------------------------------------------- 🎼Are you Interested in Media Composing ? The Complete Orchestral sample Programming Bundle: 👉https://learn.jonobuchananmusic.com/p... Exclusive Presets for Logic Synths ➡️ http://jono-buchanan-music-s-school.t... -------------------------------------------------------- 00:00 Intro 01:14 Recording 1st Violin line 01:35 Understanding MIDI controllers for orchestral samples 03:08 Understanding dynamic sample layers 04:39 Quantise? (or not) 06:36 Closing interface and analysing notes in Piano Roll 07:36 MIDI CC11 Expression for Volume control 10:56 Introducing Modulation for shaping 12:45 Alternative Modulation lines - different musical results 14:57 Editing Modulation 16:22 Expression and Modulation working together 17:43 Force Legato 19:50 Velocity - Glissando 23:23 CC21 - Vibrato 27:33 Summary and where we might go next… -----------------------------------------------------------------