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Almost everyone has heard Mozart’s “Turkish March.” But most pianists—students and professionals alike—are taught to play it the same way… and that’s the real problem. In this episode, we explore why classical music education often prioritizes imitation over interpretation—and how that leads musicians to stop thinking for themselves. Using the third movement of Wolfgang Amadeus Mozart’s Piano Sonata in A major, K.331, we unpack why “easy” music is often the hardest to perform well. From rondo form and repetition, to edited scores, Urtext editions, and even left-hand counter-melody, this conversation challenges the idea that there is only one “correct” way to play Mozart. 🎹 If you’ve ever wondered whether music is subjective—or why pianists argue about interpretation like it’s math—this episode is for you. 👇 Let us know your thoughts in the comments. 👍 Like, subscribe, and join the conversation. Timestamps: 00:00 – Why Most Pianists Play the Turkish March “Wrong” 00:31 – Why Recitals All Sound the Same 00:59 – Oral Tradition in Classical Music 01:36 – Is Music Subjective or Objective? 02:13 – Why Mozart’s Turkish March Is Misunderstood 03:03 – “Too Easy for Children, Too Hard for Artists” 03:46 – Why Repetition Makes Mozart Difficult 04:12 – Rondo Form Explained (with Video Game Analogy) 05:16 – The Hidden Cost of Recordings 06:12 – The Score You’re Reading Might Not Be Mozart 06:24 – What Is an Edited Score vs Urtext? 07:38 – One Notation Detail That Changes Everything 08:16 – Rethinking Melody vs Accompaniment 08:53 – Interpretation Requires Justification 09:39 - Unknown Pianist Plays Turkish March 13:16 – Final Thoughts & Call to Action ---------------------------------------------- Follow us! Instagram: / composedout Facebook: https://www.facebook.com/profile.php?... #Mozart #TurkishMarch #ClassicalMusic #Piano #PianoEducation #MusicEducation #ClassicalPiano #PianoStudents #MusicTheory #MusicInterpretation #Urtext #RondoForm #PracticeTips #MusicPhilosophy #ComposedOut