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Watch me take an older sepia painting from 2021 and revise it into something stronger - a complete workflow from digital reference manipulation through glazing, color correction, and layering on an existing surface. This session demonstrates how to use free tools like Photopea to composite new skies, why revision painting feels completely different from painting on a fresh board, and how glazing with Indian yellow and transparent earth yellow can intensify a sunset dramatically. I'm working over previous layers on a liquid surface, managing color that's already absorbed into paint, and proving that you don't need to paint many bad paintings if you're thoughtful about revision. See the unique challenges of painting on a pre-existing surface versus fresh ground, why glazing only shows up on light areas, and how to extend shapes that occupy too small a space in the composition. Check out the corresponding blog post for this Live Session: [Insert URL here] This session includes: • See my complete digital workflow for revising paintings - using Photopea (free Photoshop alternative) to composite new skies • Learn perspective cropping and quick selection techniques in Photopea when Affinity won't cooperate • Watch how to color-match composited sky elements using curves and color adjustment layers • My glazing technique - Indian yellow twice as strong as transparent earth yellow creates intense effects • Learn why glazing only shows up on light areas, not darks - and how to build intensity strategically • See the unique surface of revision painting - working on 100% paint creates a liquid surface that demands different technique • Watch how to extend shapes that occupy too small a space without making them look forced • Learn why revision painting feels totally different from fresh board work - it's looser, more intuitive, more fun • My honest take on revisions - I don't do many because I don't paint many bad paintings, but when I do, it's worth the effort • See how modulation always matters, even on revisions - especially with multiple layers already present This revision session proves that older paintings don't need to be abandoned - sometimes they just need fresh perspective and strategic glazing to become something stronger. For complete 4K painting sessions with no ads, reference images, and detailed transcripts, join my YouTube Members Area at https://www.landscapepainter.co.nz/. Explore my Substack Studio Pass at https://mfrancismccarthy.substack.com/ for weekly newsletters, expanded content, and new paintings added to the gallery weekly. 📚 Buy My Book here: https://www.landscapepainter.co.nz/book ✍️ Substack: https://mfrancismccarthy.substack.com/ 📝 Current Blog: https://www.landscapepainter.co.nz/20... 🎨 My website: https://www.landscapepainter.co.nz/ 📧 Join my Mailing List: https://www.landscapepainter.co.nz/ma... 🛒 My store: https://www.landscapepainter.co.nz/pr... 🎨 Mike's Gallery: https://www.landscapepainter.co.nz/ga... 📄 Live Session Transcripts: https://www.landscapepainter.co.nz/li... 🎵 My music: https://abyssm.bandcamp.com/ 💝 Support this channel: https://www.landscapepainter.co.nz/do... Thanks for watching🙂 YouTube Tags: #landscapepainting #oilpainting #painting #tonalism #tonalist #tonalistlandscape #oilpaintingdemonstration #landscapepainting #tonalistlandscapepainting #paintingdemonstration #mfrancismccarthy #artlesson #paintingtutorial #revisionpainting #glazing #indianyellow #photopea #digitaltools #skycompositing #sepia #sunsetpainting #colorcorrection #layering #oilpaintingtechnique #paintingrevision #landscaperevision