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‘In spite of the curly crop, I don’t see the ‘son Jo’ whom I left a year ago,’ said Mr. March. ‘I see a young lady who pins her collar straight, laces her boots neatly, and neither talks slang, nor lies on the rug as she used to do. Her face is rather thin and pale just now, with watching and anxiety, but I like to look at it, for it has grown gentler, and her voice is lower; she doesn’t bounce, but moves quietly, and takes care of a certain little person in a motherly way which delights me. I rather miss my wild girl, but if I get a strong, helpful, tender-hearted woman in her place, I shall feel quite satisfied. I don’t know whether the shearing sobered our black sheep, but I do know that in all Washington I couldn’t find anything beautiful enough to be bought with the five-and-twenty dollars which my good girl sent me.’ Little Women has Suzanne and Chris tackling new territory: a novel, a children’s book, and something written within the last two hundred years. They discuss this tale of four sisters (Meg, Jo, Beth, and Amy), the possibilities it offers young women (but eventually takes from them), its complex exploration of gender, and its fascination with death. --- The Spouter-Inn; or, A Conversation with Great Books Episode 5 March 19, 2019 The Spouter-Inn is a podcast where Suzanne and Chris talk about great books—but what does “great” even mean? ★ Show notes: https://megaphonic.fm/spouter/5 ★ Additional episodes: https://www.megaphonic.fm/spouter/ ★ Hosted by Chris Piuma and Suzanne Conklin Akbari ★ Support us on Patreon: / megaphonic 00:00:00 Introduction: Spoiler alert? 00:04:46 The structures of Little Women. 00:08:17 Louisa May Alcott. 00:09:45 Book I. 00:14:47 Book II: Meg. 00:19:19 Women managing men and each other. 00:21:15 Anger. 00:26:50 Book II: Jo. 00:36:05 Book II: Amy. 00:38:31 Book II: Beth. 00:46:50 The ending. 00:48:44 A book for children. 00:55:11 Identifying with the characters. 00:58:23 Wrap up.