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This recording presents a small ensemble working within a narrow dynamic range, allowing space and balance to shape the music as much as melody or rhythm. The tenor saxophone moves with measured phrasing, often resting inside the harmony rather than standing above it. Acoustic guitar and piano share a gentle responsibility for structure, alternating between suggestion and support without crowding the frame. The double bass maintains steady motion, grounding the pieces with calm insistence, while the drums imply samba and bossa nova pulse through restraint rather than emphasis. Throughout the album, interaction takes precedence over display. Lines overlap, recede, and return with patience, creating a sense of continuity across the full program. Rooted in early 1960s Brazilian jazz, the sound favors warmth, economy, and careful listening, presenting the album as a single, considered statement rather than a collection of moments. TRACKLIST Sala Vazia Depois Da Mesa Copos Ainda Cheios Luz Acesa Intervalo Curto Cadeiras Afastadas Fim De Conversa Restos De Tarde Pausa Sem Nome Passos No Corredor Último Olhar Ar Imóvel Entre Pratos Tempo Suspenso Antes De Levantar Eco Do Salão Breve Silêncio Retorno Tardio Notas Baixas Depois Do Som Mesa Limpa Sem Despedida Quase Noite Última Luz Personnel Rafael Mota – Tenor Saxophone Luís Barreto – Acoustic Guitar Eduardo Nunes – Piano Marcos Leal – Double Bass João Pacheco – Drums #rednotejazz #jazz #newmusic #brazilianjazz #quartet