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Chloé Zhao’s Hamnet is a film about grief, memory, and the quiet spaces between people who love one another. But more than that, it’s a film about restraint - about trusting silence, trusting performance, and trusting the audience. In this review, I approach Hamnet not just as a viewer, but as a filmmaker. I explore Zhao’s evolution from Songs My Brothers Taught Me and The Rider through to Nomadland, and how this latest film feels like a deeply personal return to intimacy over scale. Featuring performances from Paul Mescal, Jacobi Jupe, and a remarkable Jessie Buckley, this is cinema that lingers long after the credits roll. Is Hamnet worthy of Best Picture at the Academy Awards? Let’s talk about it. 🎬 This review is part of my ongoing Best Picture nominee series - you can find the full playlist on the channel. If you enjoy thoughtful, filmmaker-led film analysis, please consider liking and subscribing. It genuinely helps support the work. Alex Makes Films #Hamnet #ChloeZhao #FilmReview #BestPicture #Oscars #Cinema