Who said Dhrupad is boring - Check out Raag Jog by Pelva Naik | Dhrupad | Indian Classical Music скачать в хорошем качестве

Who said Dhrupad is boring - Check out Raag Jog by Pelva Naik | Dhrupad | Indian Classical Music

#dhrupad #dagar #vocalmusic #darbarfestival #vocal Enjoy this music piece? You can WATCH THE FULL VIDEO HERE –https://bit.ly/3Aufh47 Pelva Naik’s Dhrupad rendition in Raag Jog will take you on a promising journey of this ancient musical tradition of India. Dhrupad precedes the birth of Khayal in Hindustani Classical music and she is by far, the best exponent in her generation. Enjoy this special excerpt from a rare Raga of the North Indian Classical music repertoire. An ancient format of Indian Classical music, a young, dazzling artist from the contemporary generation and the intimate setting of a Baithak – this excerpt of Dhrupad in Raag Jog is your perfect suite of soul refuge today! Pelva Naik is in her 30’s and yet, her poise (on and off stage) is to be reckoned with, particularly because she has chosen an art form as a medium of expression which most of her contemporaries would dismiss as antediluvian or perhaps get daunted with because of its male-dominated gamut. However, Pelva has felt from the very beginning that singing Dhrupad was like coming home. The subtle nuances, magnified attention to detail and its systematic portrayal through typical ornamentations in the Dagarvani style are what make Dhrupad so worthy a personal medium of expression for Pelva. She believes that the moment the Tanpura starts droning, the issue of gender-role in music melts away. Pelva was born in Ahmedabad and at the age of 17 she started her dhrupad training under the legendary Ustad Zia Fariduddin Dagar. ‘Dhrupad’ is a conjoined term derived from two Sankrit words – Dhruva and Pada. ‘Dhruva’ means the unrelenting North Star and ‘Pada’ means poetry. Here, the reference to the North Star probably was symbolic of the steadfast and uncompromising nature of the musical notes. (Anything even slightly out of frequency is considered as ‘out-of-tune’.) Dhrupad is believed to have originated during the emergence of the Vedic civilization in India. It is the first sophisticated art form of ancient India where poetry was combined with resolute musical notes which were embellished with ornamentations and into which, meter (or a pulse) was infused for the first time. In other words, the natal chamber for the formation of a song as a composite whole to what it has developed to today may be said to be that of Dhrupad. Pelva performs Raag Jog in this fragment. It is a derivative of the Kafi Thaat and is performed in the second quarter of the night, between 9 and 12 pm. The ascent of Raag Jog eliminates the 2nd and 6th notes. Ga (3rd note) is pure in the ascent whereas flat in the descent. Ni or the 6th note is flat in both the ascent and descent. Thus it is pentatonic and traverses in the following manner: Sa Ga Ma Pa ni Sa.. Sa ni Pa Ma ga Sa.. The King note is Ma or 4th and the Queen note is Sa or the 1st. In the notes of the Western scale in the key of C, these roughly correspond to C, E, F, G, B♭, C; C, B♭, G, F, E, F, E♭, C (Source: Wikipedia) This is part of Darbar’s On Location series - an attempt to capture the essence of a Baithak in each performance, where the musician and music blend with the backdrop of a natural setting and the feeling of an intimate soiree is conveyed with the appropriate HD quality Video and audio. WATCH MORE FREE CONTENT by clicking on the below links on our YouTube channel: Ustad Wasif Uddin Dagar, Raag Ahir Bhairav |    • Morning Dhrupad | Ustad Wasifuddin Dagar &...   Pelva Naik, Raag Bhairavi |    • Dhrupad Raag Bhairavi | Pelva Naik | Sunri...   Pt. Uday Bhawalkar, Raag Bhimpalasi |    • Pandit Uday Bhawalkar | Dhrupad Raag Bhimp...   Some of our Dhrupad titles include: The full length version of this recording is available inside our Digital Concert Hall Ustad Wasifuddin Dagar – Raag Khamboji Ustad Bahauddin Dagar – Been Recital Musicians in this video: Pelva Naik (Dhrupad, Vocal) Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK. All Rights Reserved ©2020 Darbar Arts Culture Heritage Trust