Masters of Dagarvani | Ustad Bahauddin Dagar & Pelva Naik | Raag Vardhani | Music of India скачать в хорошем качестве

Masters of Dagarvani | Ustad Bahauddin Dagar & Pelva Naik | Raag Vardhani | Music of India

#darbarfestival | Bahauddin Dagar’s rudra veena adds slow depth to the superb vocals of Pelva Naik. Both are students of the Dagarvani dhrupad, an ancient legacy. ► Join our newsletter at http://www.darbar.org/newsletter for the finest in Indian classical music and dance, and watch full length exclusive concerts in pristine HD on the Darbar Player: http://www.darbar.org/darbarplayer Enjoy this music piece? You can WATCH THE FULL VIDEO HERE – https://bit.ly/3Aufh47 You can start your free no-obligation trial of the Darbar Concert Hall and watch the full performance today. Click here and sign up for a no-obligation 3-day trial and watch the full-length version of this video now at -https://bit.ly/3Aufh47 You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Start your free trial at - https://bit.ly/3Aufh47 The best thing is that you can experience this amazing music with your family any time from the comfort of your own home. It provides you with the warmth of a live concert experience and gives you access to some of the finest performances by the world’s best musicians playing their favourite ragas. We believe that the cultural education experience for you and your whole family is priceless. Click https://bit.ly/3Aufh47 to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 --------------------------------------------------------------------- Learn more about the music: Ustad Bahauddin Dagar is a torchbearer of the dagarvani dhrupad, known for its patient, meditative approach. He is the world’s leading master of the rudra veena (‘roaring veena’), still considered by many to be the king of Indian instruments. Though rare today, its even, austere tone remains linked with a certain universal purity, close to the essence of Indian classical. Some trace the Dagar family lineage back to master musicians of the 16th century, and Ustad Bahauddin studied under his father Ustad Zia Mohiuddin Dagar and his uncle Ustad Zia Fariduddin Dagar. He describes the relationship: “His method of teaching was subtle and mysterious...he would give a student a few key phrases that captured its soul. Then he would ask him to work on them till the spirit of the raga revealed itself. And, we did find that once we had mastered the key to a raga, the whole raga opened itself up effortlessly when we sat down to play.” Bahauddin’s musical style is marked by an unobtrusive eloquence, and he regularly performs with no amplification, harking back to a pre-technological age when musicians played longer and slower. But he also draws creative energy from dhrupad’s status as a living form - it may be India’s oldest surviving style of classical music, but many consider it to be the most highly evolved by virtue of this. He seeks to represent his tradition as a full person, with a reputation for high-quality teaching across the global veena community. Listen to more of Bahauddin here: -Patdeep (Pt 1) |    • Ustad Bahauddin Dagar | Raag Patdeep (Pt. ...   -Patdeep (Pt 2) |    • Ustad Bahauddin Dagar & Sukhad Munde | Raa...   “Once the veena is tuned in keeping with the chosen raga’s features, there is no going back. The microtones start issuing orders. I am neither a religious person, nor an atheist, but I have seen this happening. Veena demands total surrender.” (Bahauddin Dagar) Pelva Naik is one of India’s few female dhrupad singers, but believes that “gender dissolves once the tanpura starts”. Born into a Ahmedabad family of dancers, writers, and filmmakers, she studied a wide variety of creative forms as a child, including kathak, khayal, miniature painting, and literature in Hindi, Gujarati, and English. At age 17 she found an instant bond with dhrupad when Ustad Zia Fariduddin Dagar gave a workshop at her school (“it matched my element…like a rediscovery”). She soon became his disciple until he passed away in 2003. -Jog |    • Video   -Maru |    • Video   -Tanpura Demo |    • What is a Tanpura? | Dhrupad singer Pelva ...   “I still haven’t figured out [why] people say that dhrupad is a masculine art form, or where that idea comes from...It’s just that on the public platform, men had more exposure...Ustad’s grandmother was a veena player. She used to practice veena at home, and teach the children.” (Pelva Naik) Recorded at Darbar Festival at Ravenna Festival (Italy) on 24 Jun 2017 Musicians: Ustad Bahauddin Dagar (rudra veena) Pelva Naik (dhrupad vocal) Surdarshan Chana (jori) -Seetal Dhadhyalla (tanpura) All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust