No 04 | Moving Garments: Fashion and Affect скачать в хорошем качестве

No 04 | Moving Garments: Fashion and Affect

What if clothing could move us? Not only in the way we walk, sit, or occupy space, but in how we perceive and feel? In this episode of Moden, we explore the hidden vitality of fashion, from Anrealage’s pulsating tulle clothes to Hussein Chalayan’s floating dress and Iris van Herpen’s kinetic creations. These designers make tangible the subtle, often imperceptible forces inherent in every garment, showing how clothing can shape our bodies, guide our movements, and influence affective experience. Through the lens of affect theory and understanding fashion as a form of contemporary art, we see that garments are not merely expressions of style or identity: they are agentic and affective. Clothing interacts with bodies, space, and spectators, producing sensations, emotions, and new perceptual possibilities. This perspective highlights how fashion functions as more than a visual or symbolic medium: it is a living, moving force that participates in shaping human experience. REFERENCES Spinoza, B. (1677/2002). Ethics. (Transl. Edwin Curley). Penguin Classics. Brachem, J. (2025). Moved by Fashion. Affective Becomings of Dress and Body. [Conference presentation]. Transcultural Fashion/Costume Narratives Conference, Sopron/Budapest, September 2025. Colman, F. (2005). Affect. In: Parr, A. (Ed.), The Deleuze Dictionary. Edinburgh University Press, 11-14. Deleuze, G., & Guattari, F. (1980). A Thousand Plateaus: Capitalism and Schizophrenia. University of Minnesota Press. Deleuze, G., & Guattari, F. (1994). What is Philosophy? Columbia University Press. Deleuze, G. (1988). Spinoza: Practical Philosophy. Translated by Robert Hurley. City Lights Books. Filippello, L., & Parkins, I. (Eds.). (2023). Fashion and Feeling: The Affective Politics of Dress. Springer Nature. Grosz, E. (2008). Chaos, Territory, Art: Deleuze and the Framing of the Earth. Columbia University Press. Massumi, B. (2021). Parables for the Virtual: Movement, Affect, Sensation. Duke University Press. O’Sullivan, S. (2001). The Aesthetics of Affect: Thinking Art Beyond Representation. Angelaki: Journal of the Theoretical Humanities, 6(3), 125-135. Ruggerone, L. (2017). The Feeling of Being Dressed: Affect Studies and the Clothed Body. Fashion Theory, 21(5), 573-593. Smelik, A. (2018). New Materialism: A Theoretical Framework for Fashion in the Age of Technological Innovation. International Journal of Fashion Studies, 5(1), 33-54. Smelik, A. (2022). Fractal Folds: The Posthuman Fashion of Iris van Herpen. Fashion Theory, 26(1), 5-26. Smelik, A., & Toussaint, L. (2017). Material Memory in Hussein Chalayan’s Techno-Fashion. In: Munteán et. al. (Eds.), Materializing Memory in Art and Popular Culture. Routledge, 89-105. Smelik, A., & van Tienhoven, M. (2021). The Affect of Fashion: Between Materiality and Imagination. Critical Studies in Fashion & Beauty, 12(2), 163-183.    • ANREALAGE SPRING/SUMMER 2026 COLLECTION “♥”      • ANREALAGE「CLEAR」CONCEPT MOVIE      • ANREALAGE SPRING/SUMMER 2025 COLLECTION “W...      • ANREALAGE AUTUMN/WINTER 2023-24 COLLECTION...      • Hussein Chalayan's 'The Floating Dress'| G...      • Chalayan Spring/Summer 2007 One Hundred an...      • Iris van Herpen ∞ Hypnosis   00:00 Intro 00:35 Anrealage S/S 2026 01:22 Semiotics of Fashion 01:49 Agency & Affect 03:40 Hussein Chalayan 05:24 Iris van Herpen 06:12 Art & Affect 08:36 Anrealage 11:25 Conclusion #anrealage #springsummer2026 #parisfashionweek #parisfashionweek2025 #fashion #fashionhistory #fashiontheory #fashionanalysis #runwayanalysis #runway #dress #dresshistory #runwayhistory #affects #affecttheory #deleuze #spinoza #arthistory #arttheory