Ep. 187 | Peter van Tour - Carlo Cotumacci Edition: 50 Lessons, 75 Partimenti, “Under-Figured Bass” скачать в хорошем качестве

Ep. 187 | Peter van Tour - Carlo Cotumacci Edition: 50 Lessons, 75 Partimenti, “Under-Figured Bass”

🎥 Recorded using Ecamm Live — my favorite all-in-one Mac app for podcasting, recording, and live streaming. 👉 Try it here (affiliate link): https://bit.ly/4osrvBk Professor Peter van Tour returns to unpack his brand-new edition of Carlo Cotumacci: a landmark publication featuring the only complete autograph of Cotumacci’s teaching—50 Lessons and 75 Partimenti—plus a pedagogy that brilliantly trains analytical reading through what Peter calls “under-figured bass.” We dive into how Cotumacci sits between the Durante and Leo schools, his links to Alessandro Scarlatti, how partimento + counterpoint notebooks formed a single curriculum in 18th-century Naples, and why this source matters for today’s improvisers, organists, and historically minded teachers. What you’ll learn • Why this autograph is unique (complete, clean, and pedagogically intentional) • How the 50 Lessons act as short, teachable “units,” and how the 75 Partimenti ramp to advanced fugues • The concept of under-figured bass: figures are present, but key accidentals are deliberately omitted to force real-time analysis and modulation awareness • Durante vs. Leo: elementary (cadences/scales/sequences) vs. thematic training, and where Cotumacci fits • How partimento and written counterpoint notebooks mirror each other in the Naples method • Practical tips for modern teachers: imitation → variation → short forms → longer realizations Highlights & themes • Cotumacci as organist-pedagogue in Naples; Scarlatti connections; Burney’s testimony • Durandian “curriculum flow” (cadences → rule of the octave → prepared dissonances → sequences → unfigured bass) • Using Cotumacci’s materials to teach linear counterpoint rather than chord-blocks • Advanced items in Book II: unfigured → highly figured partimento fugues • Why more Leo and Padre Martini deserves publishing/recording—and how neglected archives can reshape our canon Resources mentioned • Van Tour’s Cotumacci edition (2 vols.) — published by Westmans • Durante materials (forthcoming edition mentioned) • Partimenti/Regole sources (e.g., partimenti repositories) • “The Art of Partimento” community (for sharing realizations) About our guest Peter van Tour is a leading scholar of partimento and historical improvisation pedagogy. His critical editions and research on the Neapolitan conservatory tradition are reshaping how musicians learn counterpoint and improvisation today. Support & subscribe If this work helps your study or teaching, please like, comment, and subscribe to the HMA Podcast. Share your realizations and questions—we read them!