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Malleshwaram, one of Bengaluru’s earliest planned neighbourhoods, is often described as a warehouse of the city’s cultural memory. Defined by traditional housing, temple streets, markets, music institutions, and long-established social networks, the area has historically evolved around pedestrian movement and everyday encounters. In recent years, however, like many older neighbourhoods in rapidly growing cities, Malleshwaram has faced increasing pressure from vehicular traffic and changing patterns of urban use. In response to this shift, a street art initiative emerged as an experiment in reimagining public space through walking, art, and community participation. The project was launched by an organization promoting sustainable mobility, in partnership with artists and local volunteers. Together, they approached street art not merely as a visual intervention, but as a tool of urban inquiry, one that asks how streets, lanes, and overlooked spaces can once again support pedestrian life. Unlike traditional public art projects, there was no set theme. Artists were encouraged to inhabit the neighborhood, observe its rhythms, and let ideas emerge from direct engagement with the place. Right before the city went into lockdown in April of 2021, 13 artists created 12 artworks for the endeavor. The artists from Geechugalu spent weeks exploring Malleshwaram in preparation for their project. After identifying the ideal locations, Yash and the community manager obtained the necessary permissions and visited each house whose façade they wanted to paint, armed with a supporting letter from the relevant authorities. Thirteen artists created twelve artworks across back lanes, residential facades, institutional walls, and market edges. Many of these sites were conservancy lanes, spaces historically associated with sanitation infrastructure and social marginalisation. By transforming these areas into sites of art and reflection, the project subtly challenges inherited spatial hierarchies and brings visibility to labour, memory, and everyday life. The murals themselves function as visual ethnographies. The text references local ecologies, including sampige trees and sparrows, as well as cultural practices such as filter coffee and flower markets. It highlights social figures, from sanitation workers to women navigating public spaces. The use of typography, realism, abstraction, and narrative illustration coexist, reflecting the complex identity of Malleshwaram itself. Importantly, the project unfolded without a formal inauguration. The neighbourhood became the gallery, and residents its primary audience. As artists worked, people passing by paused, asked questions, shared stories, and engaged in the process of creating meaning. Malleshwaram murals are not simply an art trail. It is a study in how neighbourhoods remember, adapt, and imagine their futures, one step, one wall, and one story at a time. --------------------------------------------------------------------------------------------------------------- #Malleshwaram, #BengaluruHeritage, #BangaloreStories, #MalleshwaramMurals, #PedestrianBengaluru, #GeechugaluArt, #OldBengaluru, #MalleshwaramStories,