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In this honest and deeply relatable conversation, Odissi dancer and Mudragraphy creator Tithi talks about what it really means to pursue Indian classical dance today — beyond stages, medals, and Instagram reels. From learning Odissi since childhood, balancing academics and dance, facing misunderstanding of classical dance forms, to creating Mudragraphy — a powerful expression using only Hasta Mudras (hand gestures) — this interview speaks directly to dancers who are navigating passion, pressure, and purpose. This video is for Indian dancers who have ever: Been told “dance is not a career” Faced confusion between dance forms Felt invisible or misunderstood as an artist Wanted to innovate without disrespecting tradition Struggled with body image, confidence, or validation Tried to balance classical roots with modern platforms 🎭 In this conversation, we discuss: The reality of Indian classical dance today Why Odissi is still misunderstood How Mudragraphy was born during lockdown Innovation vs tradition in dance Identity, skin tone bias & self-acceptance Teaching dance and building an academy Honest advice for young and struggling dancers This is not motivation. This is lived experience — told honestly. ⏱️ TIMELINE / CHAPTERS 00:00 – Introduction 03:30 – Childhood, Odissi & Discipline 09:00 – “Dance Is Not a Career” Reality 14:30 – Going Viral & Being Misunderstood 19:30 – What Is Mudragraphy? 28:00 – Creativity, Criticism & Growth 38:30 – Advice for Indian Dancers 46:30 – 🔥 Rapid Fire Round [ Indian classical dance, Odissi dancer interview, Indian dancers journey, Mudragraphy, Hasta Mudra, Odissi vs Bharatanatyam, dance career India, classical dancer struggles, Indian dance podcast, female dancers India, classical dance innovation ] 💬 Comment if you’ve ever been told “dance is not a career” ❤️ Share this with a dancer who needs to hear this 🔔 Subscribe for more real conversations with Indian artists