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Symphony No.32 in A-flat major - Havergal Brian скачать в хорошем качестве

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Symphony No.32 in A-flat major - Havergal Brian
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Symphony No.32 in A-flat major - Havergal Brian

RTÉ National Symphony Orchestra conducted by Adrian Leaper. I - Allegretto: 0:02 II - Adagio: 5:39 III - Allegro ma non troppo: 11:20 IV - Allegro moderato: 15:42 Brian's Symphony No.32 was composed in 1968. He wrote it at the unusual age of 92, being his last work in the genre. It does not seem designed as a testament or summing-up, he had another four years to live, and the fact that he wrote no further works seems partly due to problems with his eyesight and to a final drying-up of inspiration. "It is the last I do believe", he wrote to a friend just after his 93rd birthday, "for I’ve had no thoughts of music since and have enjoyed and still enjoy silence". It was premiered in 28 January 1971, performed by the Kensington Symphony Orchestra conducted by Leslie Head. Nevertheless, in the way it continues to explore Brian’s inner world and find new landscapes of the mind, and in its characteristic compound of dark, difficult thoughts and defiant affirmation, Symphony No.32 in the same key as the First Symphony of Brian’s lifelong hero Elgar, represents a satisfying termination of his creative output. This is a curious symphony, in four movements, almost classical in its formal design, and anything but in its actual working-out. Brian lived four more years after finishing his last symphony, but did not write any work. He retained his mental vigor and always seemed to be able to return to composition. He finally died on November 28, 1972 in Shoreham-by-Sea, as a result of a fall. The first movement is written in sonata form with great freedom. The main theme is almost Brahmsian in spirit, using a complex counterpoint. The second theme is more lyrical, introduced with a solo from the flute over the harp. The development is very polyphonic, with the music rising in a climax in form of a short march. Then comes an inverted recapitulation, with the second featuring several solos from the woodwinds, with a characteristic violin solo. Follows the main theme, which leads to a climax. It ends with a calm coda. The second movement is written in ternary form. It opens with a melodic theme introduced by the strings, which metamorphoses, develops and grows more complex and anxious. A funeral march appears, the last one written by Brian, that increases until its climax. It blends with the musical materials previously presented. The music transforms in a hopeful way, leading to a climax. After another one, the music stops, leading to a brief recapitulation of the initial main theme. It ends enigmatically, with no coda. The third movement is a scherzo. It opens with a moderate, dance-like theme in a loping 6/8 metre. The development is light and festive, contrasting with the more serious tone of the previous movements. There is no trio, instead, in the central part there is a slightly orchestrated dance, alternating the strings with solos of the wood. Then reappears the scherzo theme with a new development. After a potent climax, a calm brief coda takes us to the end of the movement. The fourth movement is written in a free sonata form. It begins with a lively and optimistic main theme, quickly followed by a more pompous second one, in the form of a march. The development is open-ended, continuously-evolving structure whose ceaseless flow of freely-developing polyphony has a vivacity altogether remarkable in a man of 92. Both main themes reappear continuously. A fanfare from the brass emerges from this contrapuntal sea, leading us to a noble coda in which the main tone is reaffirmed. Picture: "Snow Storm: Hannibal and his Army Crossing the Alps" (1812) by the British painter J. M. W. Turner. Sources: https://bit.ly/3cxr7Ss and https://bit.ly/3Rb8uCu Unfortunately the score is not freely available.

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