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This track captures the essence of the A Dorian mode—a blend of minor depth and airy openness. It’s designed as an open canvas for improvisation, inviting soloists to explore freely while maintaining a distinctly modal atmosphere. This piece is based on the A Dorian mode, showcasing the bright-yet-minor flavor that defines modal jazz.The tempo sits around BPM 109, giving the track a steady groove while leaving plenty of space for improvisation. 1. Core Sound At its heart, the harmony revolves around Am7 (tonic minor), with recurring appearances of Bm7 (ii), GM7 (VII), FM7 (VI), and Dm7 (iv). These chords highlight the natural 6th (F♯) of A Dorian, creating a balance between minor darkness and modal brightness. 2. Jazz-Inspired Progression Beyond the core vamp, the piece introduces colorful tensions with augmented and altered chords (Eaug, A♭aug, Ddim, etc.), along with Esus4 and B7 functioning in a dominant-like role. This interplay provides both tension and release, adding depth to the modal framework. 3. Modal Jazz Character Sections of repeated Am7–Bm7 patterns create wide-open space for improvisers to explore the mode freely. This approach echoes the spirit of Miles Davis’ So What, emphasizing modal improvisation over complex chord changes. 4. Highlights to Listen For The unique color of A with F♯ (13th), the signature Dorian sound Smooth shifts to GM7 and FM7 for melodic expansion Augmented chords (Eaug, A♭aug, etc.) that spice up the harmony Meditative, trance-like qualities in the repeated vamp sections