How To Become A Celebrity Manager In Bollywood? | Cheat Sheet with Sneha | Film Companion скачать в хорошем качестве

How To Become A Celebrity Manager In Bollywood? | Cheat Sheet with Sneha | Film Companion

In a brand new episode of Cheat Sheet with Sneha, we are diving into the life of a celebrity manager. The head of talent at Collective Artists Network Jaya Saha talks to us about the perks, the challenges and busts all the myths we have about actors’ managers. She lets us in on all the details of what you need to do to become a celebrity manager. #celebritymanagement #cheatsheet #filmcompanion Visit Ustraa’s website to explore their range of colognes: https://bit.ly/3TIqOVq Have you subscribed to Film Companion yet? Join us here - http://bit.ly/FCsubscribe Follow Us On:   / filmcompanion     / filmcompanion     / filmcompanion   01:19 Jaya on maintaining a low-key social profile 02:45 What is the job of a celebrity manager? 04:07 The hardest thing to tell an actor 04:52 The least glamorous thing about the job 07:49 The line is drawn between personal and professional 08:49 Building a brand around celebrities 10:15 How easy is it to convince an actor 12:19 Work structure 12:59 The paparazzi culture 13:55 The biggest myth about the job 15:01 “What’s the goss” 15:47 The required attributes for a talent manager 16:39 A Day in the Life of a talent manager About The Channel: The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.